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- Behind-the-lines documentary filmed by World War II correspondent Jack Lieb. Most of the footage shows areas already cleared by Allied forces as they made their way to Germany.
- A poor vegetable peddler in Paris runs afoul of the law and finds himself ground up in the cogs of the corrupt French judicial system.
- In 1986, a concerned young couple ponder the best way to make love for the first time as the radioactive Chernobyl cloud looms over Europe.
- A documentary on a 40-year-old orangutan that is locked behind bars.
- The life of Jacques Fath, a star of the french Haute Couture who died in 1954, aged only 42.
- A collection of ten 6-minute short films entirely shot with a mobile phone, divided into two thematic concepts: the 80s (five retro films) and the mutants (five anticipation/sci-fi shorts).
- A portrait of Bouda, a 30-year-old young dancer, clandestine for life, a victim of the so-called "double punishment" law who, upon leaving prison, expels children from immigration to countries of origin.
- In Paris, in late 1990, famous French cinematographer Henri Alekan and chief electrician Louis Cochet are working together during the shooting of Golem, l'esprit de l'exil (1992), directed by Israeli filmmaker Amos Gitai, sharing their experiences.
- Boris Vian. A novelist? A songwriter? A playwright? A poet? A trumpet player? A music publishing company producer? A singer? A visual artist? An engineer? Well, this man was all of that, without being a Jack of all trades as he was often accused of being. For what united all those various activities was a way of being, what could be called his "jazz attitude". Vian's passion for this style of music indeed inspired his style in all the categories he covered. It even dictated his relation to life and death.
- The director agrees to make a film with a mobile video phone and marries the failures of his sick kidneys and communication through the image. Vision of a cinema captured by itself - (Pocket Films Festival, Centre Pompidou).
- Delivering a continuous flow of urban landscapes' digitally reworked images where passers-by are seen as anonymous silhouettes, the film offers a poetic monologue commentating on a disenchanted vision of the ghostly ballet of modern life.
- Summer 1982: the director, Yves Jeuland, made his first trip to Germany as a student, two weeks with his penpals, in Eggenfelden, a small town in Lower Bavaria. Winter 2008: the German penpals are now 40 years old and so is the director.
- Follows an ordinary day in the life of three Santas at the Printemps Haussmann store, at the Beaugrenelle Shopping Center, and at Les Halles. The film concludes with commentaries by Mr. Baudot, curator of the Santa Claus Museum in Paris.
- In 1989, around Christmas time, a group of young reporters, investigating Les Halles shopping district and the surrounding area, interviews Father de Tinguy, parish priest of Saint-Eustache church, various merchants in the nearby rue Montorgueil, passers-by at the Forum des Halles and wholesalers from Rungis who prepare a meal for the neighborhood's poorest and most vulnerable at the Bourse du Commerce.
- Six teenagers are assigned by Santa Claus to make a film on Christmas. Outside Paris' largest department stores, they catch the amazed gazes of children in front of the windows, and question the little ones intimidated by the camera.