[on working with
Luis Buñuel on the set of
The Discreet Charm of the Bourgeoisie (1972)] He was talking to the cameraman, and I heard them. I think he wanted me to. He was asked, "What kind of lens do I use? A 50?" "A 50. If the actor's good, put on a 75." Of course I was very good and got a close-up.