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1-13 of 13
- Actor
- Producer
- Director
Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio. His paternal grandfather was Irish, and the rest of his family was Mexican.
After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.
As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national (he did not become an American citizen until 1947), he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.
Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican-American to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece The Road (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).
Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.
In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).
Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.- Actress
- Additional Crew
- Location Management
Fenella Maguire was born on 8 May 1935 in Melbourne, Victoria, Australia. She was an actress, known for The World Is Not Enough (1999), The Accidental Tourist (1988) and À nous les petites Anglaises! (1976). She died on 3 June 2001 in Paris, France.- Harry Zohn was born on 21 November 1923 in Massachusetts, USA. He was an actor, known for Drei Leben - Friderike und Lotte und Stefan Zweig (1994). He was married to Judith Gorfinkle. He died on 3 June 2001 in Boston, Massachusetts, USA.
- Georg Helge was born on 15 November 1910 in Hirschberg, Silesia, Germany [now Jelenia Góra, Dolnoslaskie, Poland]. He was an actor, known for Kapitäne bleiben an Bord (1959), Leuchtfeuer (1954) and Wozzeck (1947). He died on 3 June 2001 in Berlin, Germany.
- Writer
- Additional Crew
- Soundtrack
Zbynek Vavrín was born on 22 June 1919 in Luze, Czechoslovakia [now Czech Republic]. Zbynek was a writer, known for Nahá pastýrka (1966), Zlocin v dívcí skole (1966) and Pearls of the Deep (1965). Zbynek died on 3 June 2001 in Prague, Czech Republic.- Bariat Muradova was born on 16 January 1914 in Nizhny Dzhengutay, Temir-Khan-Shura District, Dagestan Oblast, Russian Empire [now Buynaksky District, Republic of Dagestan, Russia]. She was an actress, known for Tuchi pokidayut nebo (1959), Goryanka (1975) and Adam i Kheva (1970). She died on 3 June 2001 in Makhachkala, Republic of Dagestan, Russia.
- Sound Department
- Music Department
Mikolaj Kompan-Altman was born on 8 December 1924 in Poland. He is known for Night Train (1959), Adventure in Marienstadt (1954) and Zloty pociag (1986). He died on 3 June 2001 in Lódz, Lódzkie, Poland.- Otto Hemele was born on 22 January 1926 in Prague, Czechoslovakia [now Czech Republic]. He died on 3 June 2001.
- Manuel Herminio Monteiro was born on 10 September 1952 in Vila Real, Portugal. He died on 3 June 2001 in Lisbon, Portugal.
- Cinematographer
Emil Kodov was born on 24 September 1938 in Sofia, Bulgaria. He was a cinematographer, known for Ptitzi dolitat (1971) and Selkor (1974). He died on 3 June 2001 in Sofia, Bulgaria.- Flora Groult was born on 23 May 1924 in Paris, France. She was a writer, known for Le féminin pluriel (1982), Apostrophes (1975) and Midi-Première (1975). She was married to Michael Pringle and Bernard Ledwidge. She died on 3 June 2001 in Paris, France.
- Music Department
Audrey Call was born on 12 April 1905 in Alton, Illinois, USA. Audrey died on 3 June 2001 in Sonoma, California, USA.- Karlyn May was born on 29 October 1928 in Los Angeles, California, USA. She was an actress, known for The Irish Gringo (1935). She was married to Jack Grant. She died on 3 June 2001 in Ammon, Idaho, USA.