When Dr. Ernest Tindal's wife is murdered, evidence mounts to convict her lover, Frank Marian. But Frank knows he didn't do it.....When Dr. Ernest Tindal's wife is murdered, evidence mounts to convict her lover, Frank Marian. But Frank knows he didn't do it.....When Dr. Ernest Tindal's wife is murdered, evidence mounts to convict her lover, Frank Marian. But Frank knows he didn't do it.....
Richard Denning
- Vera's Naval Fiancé
- (scenes deleted)
Herbert Ashley
- Doorman
- (uncredited)
Robert Brister
- District Attorney
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaElizabeth Patterson repeats her role as Mrs. Ward from the earlier version, "Guilty As Hell."
- GoofsThe otherwise intelligent killer who so very carefully set up the frame should have destroyed the one thing that would expose his false alibi. Instead, he just left it where it was, enabling the investigators to eventually catch him.
- ConnectionsVersion of Guilty as Hell (1932)
- SoundtracksNo More Tears
Sung by Evelyn Brent
Featured review
A remake of the superior 1932 film "Guilty as Hell"
The original film - 1932's "Guilty as Hell" is a great little movie, mainly because of the chemistry between the two leads, Victor McLaglen and Edmund Lowe. Here the leads have all been replaced by stars who were slipping in their box office demand by the mid 1930's or were B players to begin with, although I think the performances are good here by all save one - Lynne Overman, who plays the role of the reporter that was Edmund Lowe's part in the 1932 film. He's very annoying in the first half, but he improves to the point that he's endurable by the second half. Also, it's never really explained in this remake why reporter Kirk thinks he can waltz into police detective McKinley's office anytime he feels like it.
In case you've never seen the original, this film is about the resolution of a murder case in which the young wife of a doctor is found strangled in her home. At the beginning of the film you see that her husband, Dr. Tindal (John Barrymore) is actually the guilty party, and you get to see him set up the murder scene so that the murder is pinned on her boyfriend. Thus the murder is just Tindal's way of getting even with both his unfaithful wife and the man she really loves. Things seem to be going Dr. Tindal's way until reporter Russell Kirk falls for the accused man's sister and does some further digging.
This film is almost a frame by frame remake of the original, and I knew that before I watched it. The main reason to view it is to see John Barrymore doing a good job in a lead role after Hollywood had largely written him off when alcoholism began to interfere with his ability to remember lines and even project emotion on screen to some degree. The few places where there are differences between this film and "Guilty as Hell" has to do with the production code. In 1932, you actually see the doctor strangle his wife, here you do not. In 1932, reporter Russell Kirk is spouting off all kinds of suggestive remarks, here he's just annoying. Finally, the way the doctor fools people into believing that his wife is alive when he leaves the apartment the night he kills her, thus giving himself an alibi, has been changed due to the fact that technology has rendered the original method obsolete.
I'd recommend this film just to see John Barrymore, but if you want to see this same story done right in all of its precode glory, watch 1932's "Guilty as Hell".
In case you've never seen the original, this film is about the resolution of a murder case in which the young wife of a doctor is found strangled in her home. At the beginning of the film you see that her husband, Dr. Tindal (John Barrymore) is actually the guilty party, and you get to see him set up the murder scene so that the murder is pinned on her boyfriend. Thus the murder is just Tindal's way of getting even with both his unfaithful wife and the man she really loves. Things seem to be going Dr. Tindal's way until reporter Russell Kirk falls for the accused man's sister and does some further digging.
This film is almost a frame by frame remake of the original, and I knew that before I watched it. The main reason to view it is to see John Barrymore doing a good job in a lead role after Hollywood had largely written him off when alcoholism began to interfere with his ability to remember lines and even project emotion on screen to some degree. The few places where there are differences between this film and "Guilty as Hell" has to do with the production code. In 1932, you actually see the doctor strangle his wife, here you do not. In 1932, reporter Russell Kirk is spouting off all kinds of suggestive remarks, here he's just annoying. Finally, the way the doctor fools people into believing that his wife is alive when he leaves the apartment the night he kills her, thus giving himself an alibi, has been changed due to the fact that technology has rendered the original method obsolete.
I'd recommend this film just to see John Barrymore, but if you want to see this same story done right in all of its precode glory, watch 1932's "Guilty as Hell".
helpful•120
- AlsExGal
- Aug 6, 2010
Details
- Runtime1 hour 10 minutes
- Color
- Aspect ratio
- 1.37 : 1
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