Exclusive: Issa Rae and Deniese Davis’ ColorCreative Management is expanding its team, re-upping manager Ashley Calloway and adding former Rise Management’s Jordan Moncada as a talent and literary manager to the growing entertainment firm. The re-up and staff addition were announced Monday by Talitha Watkins, President & Head of ColorCreative.
Prior to joining ColorCreative Management, Calloway was an Account Manager at Studio71 where she executed high value brand campaigns for digital and traditional talent; brands included Disney, Amazon, Fox and more. Calloway also spent 3 ½ years working at Creative Artists Agency for high level agents in TV Unscripted, TV Scripted Packaging and Talent.
As a talent and literary manager at ColorCreative, Moncada is focused on representing multi-hyphenates that tell authentic stories and are passionate about making a larger impact on the world outside of the entertainment industry. She comes to ColorCreative after five years at Rise Management, where she was promoted...
Prior to joining ColorCreative Management, Calloway was an Account Manager at Studio71 where she executed high value brand campaigns for digital and traditional talent; brands included Disney, Amazon, Fox and more. Calloway also spent 3 ½ years working at Creative Artists Agency for high level agents in TV Unscripted, TV Scripted Packaging and Talent.
As a talent and literary manager at ColorCreative, Moncada is focused on representing multi-hyphenates that tell authentic stories and are passionate about making a larger impact on the world outside of the entertainment industry. She comes to ColorCreative after five years at Rise Management, where she was promoted...
- 4/19/2021
- by Denise Petski and Dominic Patten
- Deadline Film + TV
Ah, spring! Not exactly the most fertile time for fresh movies, but after a relatively low-key March lineup, streaming giant Netflix now sees fit to offer its loyal subscribers a much more thrilling assortment of choices for April viewing pleasure. Among them: a pair of Netflix-branded originals that seem, at least on their face, very different, though both offer family-centric entertainment with some always-necessary lessons about the power of bonding together in the face of adversity.
Elsewhere, the streamer is giving two festival hits an online home, from the eye-popping education at the heart of “Coded Bias” to the body-thumping joy of “Dark City Beneath the Beat.” End your month of movie-watching with some meat and potatoes Ron Howard action (“Rush”), top it off with the confectionary insanity of Guillermo del Toro’s “Crimson Peak,” and save the best for last: Paul Thomas Anderson’s chilly masterpiece “The Master.”
All told,...
Elsewhere, the streamer is giving two festival hits an online home, from the eye-popping education at the heart of “Coded Bias” to the body-thumping joy of “Dark City Beneath the Beat.” End your month of movie-watching with some meat and potatoes Ron Howard action (“Rush”), top it off with the confectionary insanity of Guillermo del Toro’s “Crimson Peak,” and save the best for last: Paul Thomas Anderson’s chilly masterpiece “The Master.”
All told,...
- 4/2/2021
- by Kate Erbland
- Indiewire
Netflix is the king of the streaming world until proven otherwise. But in recent months the streamer’s lists of new releases have looked relatively sparse as competing media conglomerates remove their titles from Netflix’s library. With its list of new releases for April 2021, however, Netflix appears to have its original production machine operating at high capacity once again.
There are plenty of intriguing Netflix original series and films this month. The one that appears to have the highest blockbuster potential though is the series Shadow and Bone on April 23. Shadow and Bone is adapted from Leigh Bardugo’s Grisha-verse trilogy and should bring another compelling sci-fi/fantasy universe to the streaming world.
Read more TV How Will Shadow and Bone Incorporate Six of Crows? By Kayti Burt TV Shadow and Bone: Why Netflix Cast Its Fantasy Adaptation With Relative Unknowns By Kayti Burt
Other worthwhile original series...
There are plenty of intriguing Netflix original series and films this month. The one that appears to have the highest blockbuster potential though is the series Shadow and Bone on April 23. Shadow and Bone is adapted from Leigh Bardugo’s Grisha-verse trilogy and should bring another compelling sci-fi/fantasy universe to the streaming world.
Read more TV How Will Shadow and Bone Incorporate Six of Crows? By Kayti Burt TV Shadow and Bone: Why Netflix Cast Its Fantasy Adaptation With Relative Unknowns By Kayti Burt
Other worthwhile original series...
- 4/1/2021
- by Alec Bojalad
- Den of Geek
While the 2020 SXSW Film Festival has been canceled due to the coronavirus, IndieWire is covering select titles from this year’s edition.
. A full-body ode to her hometown and the incredible people who keep it bouncing in spite of everything else, “Dark City Beneath the Beat” isn’t just a blood-stained but ecstatically hopeful love letter to Bmore, it’s also the most danceable movie this side of “Girl Walk//All Day.”
More from IndieWireSXSW: Here Are the Cameras Used to Shoot This Year's Films'Feel Good' Review: Netflix's Lively Queer Addiction Comedy Has 'Fleabag' Vibes
“There are thousands of ways to tell this story,” the opening title card insists, but Tt — an open-hearted musician best known for carnal dance club tracks like “Pussy Ate” and “Let Me See Ya” — finds one that feels unique to her. Taking a DJ-inspired approach to documentary cinema that finds Tt seamlessly looping archival...
. A full-body ode to her hometown and the incredible people who keep it bouncing in spite of everything else, “Dark City Beneath the Beat” isn’t just a blood-stained but ecstatically hopeful love letter to Bmore, it’s also the most danceable movie this side of “Girl Walk//All Day.”
More from IndieWireSXSW: Here Are the Cameras Used to Shoot This Year's Films'Feel Good' Review: Netflix's Lively Queer Addiction Comedy Has 'Fleabag' Vibes
“There are thousands of ways to tell this story,” the opening title card insists, but Tt — an open-hearted musician best known for carnal dance club tracks like “Pussy Ate” and “Let Me See Ya” — finds one that feels unique to her. Taking a DJ-inspired approach to documentary cinema that finds Tt seamlessly looping archival...
- 3/20/2020
- by David Ehrlich
- Indiewire
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