While Luca Guadagnino is reigning supreme this summer with “Challengers” and Cannes-premiered “Queer” both opening, Film at Lincoln Center is celebrating all Italian auteurs for the 23rd edition of annual festival “Open Roads: New Italian Cinema.”
This year’s festival takes place from May 30 through June 6 and includes North American, U.S., and New York premieres, with appearances and discussions by several of the filmmakers. Co-presented by Cinecittà, “Open Roads: New Italian Cinema” serves as a showcase of the best in new Italian cinema.
“I think we have an especially strong lineup at this year’s ‘Open Roads,’ which is nothing if not an encouraging sign of things to come as we continue to move forward from the production pauses and shutdowns wrought by the Covid-19 pandemic,” Dan Sullivan, Flc Programmer, said. “A satisfying mix of the familiar and the new, of low- and higher-budget movies, of fresh takes on...
This year’s festival takes place from May 30 through June 6 and includes North American, U.S., and New York premieres, with appearances and discussions by several of the filmmakers. Co-presented by Cinecittà, “Open Roads: New Italian Cinema” serves as a showcase of the best in new Italian cinema.
“I think we have an especially strong lineup at this year’s ‘Open Roads,’ which is nothing if not an encouraging sign of things to come as we continue to move forward from the production pauses and shutdowns wrought by the Covid-19 pandemic,” Dan Sullivan, Flc Programmer, said. “A satisfying mix of the familiar and the new, of low- and higher-budget movies, of fresh takes on...
- 5/22/2024
- by Samantha Bergeson
- Indiewire
There is a rug-pull moment in Magnus von Horn’s handsome and captivating period yarn that cleaves his drama into “before” and “after.” It is a testament to the rich and assured storytelling on offer in his Cannes competition entry “The Girl with the Needle” that, although the moment seems to come out of nowhere, it instantly makes sense and serves to ratchet up the tension, propelling the story’s evergreen themes into a confrontational new register.
In post-World War I Copenhagen, we drop in with Karoline (Vic Carmen Sonne) as she is being evicted from a pleasant room in a respectable part of town. With her soldier husband Mia, her factory worker wages don’t cover the rent and she has fallen into arrears. The rapacious need of this time is telegraphed as mere minutes after Karoline receives her marching orders, the woman replacing her arrives to look over the room.
In post-World War I Copenhagen, we drop in with Karoline (Vic Carmen Sonne) as she is being evicted from a pleasant room in a respectable part of town. With her soldier husband Mia, her factory worker wages don’t cover the rent and she has fallen into arrears. The rapacious need of this time is telegraphed as mere minutes after Karoline receives her marching orders, the woman replacing her arrives to look over the room.
- 5/15/2024
- by Sophie Monks Kaufman
- Indiewire
Exclusive: Vue founder and CEO Tim Richards caused a stir last month with an intriguing appearance in front of the UK Parliament’s British Film & High-End TV Inquiry.
Launched by the influential Culture, Media and Sport Committee, the bipartisan inquiry has spent weeks interviewing industry figures as part of an investigation into the current state of film and TV production in the UK. Richards appeared at the session alongside Picturehouse Managing Director Clare Binns and Alex Hamilton, CEO of Studiocanal UK, who both expressed fairly downbeat conclusions about the current and future position of independent British cinema. Richards, however, was the dissenting voice.
The longtime Vue chief set out an optimistic vision for independent British cinema informed by the performance and variety of films on his screens across the UK and Europe. His only gripe was that the market isn’t unearthing enough projects to service operators, which is why...
Launched by the influential Culture, Media and Sport Committee, the bipartisan inquiry has spent weeks interviewing industry figures as part of an investigation into the current state of film and TV production in the UK. Richards appeared at the session alongside Picturehouse Managing Director Clare Binns and Alex Hamilton, CEO of Studiocanal UK, who both expressed fairly downbeat conclusions about the current and future position of independent British cinema. Richards, however, was the dissenting voice.
The longtime Vue chief set out an optimistic vision for independent British cinema informed by the performance and variety of films on his screens across the UK and Europe. His only gripe was that the market isn’t unearthing enough projects to service operators, which is why...
- 5/15/2024
- by Zac Ntim
- Deadline Film + TV
Tim Richards’ Vue, Europe’s largest privately owned cinema operator, is teaming with UK producers Andy Paterson and Annalise Davis, and virtual production outfit Dimension Studios, to form Virtual Circle, to deliver a slate of £5m-£15m UK films. Vue will directly release the films into cinemas.
Virtual Circle has been set up in response to the new 40% Independent Film Tax Credit (Iftc); the first two films, 2040 and Campbeltown ‘69, are expected to shoot this summer.
The aim is to use virtual production to “bring additional scale” to the films, said Davis.
“Script always comes first but at Virtual Circle, we...
Virtual Circle has been set up in response to the new 40% Independent Film Tax Credit (Iftc); the first two films, 2040 and Campbeltown ‘69, are expected to shoot this summer.
The aim is to use virtual production to “bring additional scale” to the films, said Davis.
“Script always comes first but at Virtual Circle, we...
- 5/15/2024
- ScreenDaily
Sydney Film Festival (June 5-16) has unveiled the 12 titles that will play in competition at its 71st edition, including six features that are set to premiere at Cannes this month.
Fresh from playing in Competition at Cannes will be Kinds of Kindness, starring Emma Stone and directed by Yorgos Lanthimos, who won the Sydney Film Prize in 2012 with Alps. Further Palme d’Or contenders selected for Sydney include Grand Tour from Portugal’s Miguel Gomes, whose Arabian Nights won the Sydney Film Prize in 2015; Christophe Honoré’s French-Italian comedy Marcello Mio; and Payal Kapadia’s Indian romantic drama All We Imagine As Light.
Fresh from playing in Competition at Cannes will be Kinds of Kindness, starring Emma Stone and directed by Yorgos Lanthimos, who won the Sydney Film Prize in 2012 with Alps. Further Palme d’Or contenders selected for Sydney include Grand Tour from Portugal’s Miguel Gomes, whose Arabian Nights won the Sydney Film Prize in 2015; Christophe Honoré’s French-Italian comedy Marcello Mio; and Payal Kapadia’s Indian romantic drama All We Imagine As Light.
- 5/7/2024
- ScreenDaily
Matteo Garrone’s Oscar-nominated drama “Io Capitano,” about the odyssey of two young African men who decide to leave Dakar to reach Europe, and Paola Cortellesi’s feminist dramedy “There’s Still Tomorrow” were both the big winners at Italy’s 69th David di Donatello Awards.
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
“Io Capitano” won Davids for best picture, director, producers, editor, and cinematographer, among other prizes, while “Still Tomorrow,” which is about the plight of an abused housewife in post-war Rome and had 19 nominations scored six statuettes, including best directorial debut, actress, non supporting actress, screenplay, and audience award.
“Still Tomorrow,” which marks the directorial debut of popular Italian actor Paola Cortellesi, who also stars, is shot in black-and-white and riffs on Italy’s neorealist past, albeit with a contemporary female empowerment angle.
“I made this debut at the brink of menopause,” Cortellesi, who is 50, said while accepting the statuette for best debuting director. “I hope...
- 5/3/2024
- by Nick Vivarelli
- Variety Film + TV
Matteo Garrone’s refugee drama Io Capitano, an Oscar nominee this year for Italy in the best international feature category, was the big winner of this year’s 2024 David Di Donatello Awards, Italy’s equivalent to the Oscars, winning best film and director for Garrone.
Io Capitano also picked up prizes for best cinematography, editing, sound, and visual effects.
Paola Cortellesi’s There’s Still Tomorrow, a black-and-white feminist dramedy that became the top-grossing film in Italy last year, won Cortellesi the Donatello honors for best actress, directorial debut, and original script for the screenplay she co-wrote with Furio Andreotti and Giulia Calenda.
“I want to thank those who gave me the opportunity to write this role as I wanted it,” she said, accepting her actress honor.
Cortellesi’s film, a dramedy about an abused woman in post-wwii Rome that manages to combine serious social drama with situational comedy, sight gags and even a musical number,...
Io Capitano also picked up prizes for best cinematography, editing, sound, and visual effects.
Paola Cortellesi’s There’s Still Tomorrow, a black-and-white feminist dramedy that became the top-grossing film in Italy last year, won Cortellesi the Donatello honors for best actress, directorial debut, and original script for the screenplay she co-wrote with Furio Andreotti and Giulia Calenda.
“I want to thank those who gave me the opportunity to write this role as I wanted it,” she said, accepting her actress honor.
Cortellesi’s film, a dramedy about an abused woman in post-wwii Rome that manages to combine serious social drama with situational comedy, sight gags and even a musical number,...
- 5/3/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Matteo Garrone’s Oscar-nominated drama Io Capitano triumphed in Italy’s David di Donatello film awards on Friday evening, winning best film and best director.
The film about the trials and tribulations of two Senegalese teenagers as they try to make it to Europe via the Sahara desert and the Mediterranean Sea, also won best producer for companies Archimede, Rai cinema, Pathé and Tarantula as well as best sound, special effects, cinematography and editing.
Io Capitano premiered at the Venice Film Festival last September, where it won best director for Garrone and the Marcello Mastroianni Award for Best Young Actor for Seydou Sarr.
The movie went on to enjoy a buzzy awards season, securing a Golden Globe nomination for best non-English language film and an Academy Award nomination for best international film.
“This film tells the stories of those who are not listened to,” said Garrone, on receiving the best director award.
The film about the trials and tribulations of two Senegalese teenagers as they try to make it to Europe via the Sahara desert and the Mediterranean Sea, also won best producer for companies Archimede, Rai cinema, Pathé and Tarantula as well as best sound, special effects, cinematography and editing.
Io Capitano premiered at the Venice Film Festival last September, where it won best director for Garrone and the Marcello Mastroianni Award for Best Young Actor for Seydou Sarr.
The movie went on to enjoy a buzzy awards season, securing a Golden Globe nomination for best non-English language film and an Academy Award nomination for best international film.
“This film tells the stories of those who are not listened to,” said Garrone, on receiving the best director award.
- 5/3/2024
- by Melanie Goodfellow
- Deadline Film + TV
Rank Film (distributor) Three-day gross (Apr 26-28) Total gross to date Week 1. Challengers (Warner Bros) £1.5m £1.5m 1 2. Back To Black (Studiocanal) £1.4m £9m 3 3. Kung Fu Panda 4 (Universal) £948,033 £19.7m 5 4. Civil War (Entertainment Film Distributors) £755,426 £5.2m 3 5. Godzilla X Kong: The New Empire (Warner Bros) £597,522 £13.7m 5
Gbp to Usd conversion rate: 1.25
Luca Guadagnino’s tennis drama Challengers scored a number one ranking on its opening weekend at the UK-Ireland box office, with a £1.5m first session.
Warner Bros title Challengers took a £2,197 site average from over 700 cinemas, and has £1.6m including previews.
The figure is a new record opening in the territory for Guadagnino,...
Gbp to Usd conversion rate: 1.25
Luca Guadagnino’s tennis drama Challengers scored a number one ranking on its opening weekend at the UK-Ireland box office, with a £1.5m first session.
Warner Bros title Challengers took a £2,197 site average from over 700 cinemas, and has £1.6m including previews.
The figure is a new record opening in the territory for Guadagnino,...
- 4/29/2024
- ScreenDaily
Luca Guadagnino’s love triangle drama Challengers starts its UK-Ireland box office campaign this weekend through Warner Bros.
Opening in 702 sites with additional venues still being added, the film stars Zendaya, 2016 Screen Star of Tomorrow Josh O’Connor and Mike Faist in the story of three aspiring tennis professionals fighting both for championships and romantically.
Initially programmed as the opening film of last year’s Venice Film Festival, Challengers was withdrawn following the actors’ strike, which would have prevented its starry cast from promoting the release.
It is Italian filmmaker Guadagnino’s eighth feature film. He broke out internationally with his fifth,...
Opening in 702 sites with additional venues still being added, the film stars Zendaya, 2016 Screen Star of Tomorrow Josh O’Connor and Mike Faist in the story of three aspiring tennis professionals fighting both for championships and romantically.
Initially programmed as the opening film of last year’s Venice Film Festival, Challengers was withdrawn following the actors’ strike, which would have prevented its starry cast from promoting the release.
It is Italian filmmaker Guadagnino’s eighth feature film. He broke out internationally with his fifth,...
- 4/26/2024
- ScreenDaily
Rome’s inner city, May 1946. Allied soldiers patrol the streets in jeeps, a visible reminder of the recent war. The city struggles with the remnants of World War II’s devastation while anticipating change brought on by the upcoming institutional referendum and Constituent Assembly election on June 2nd and 3rd.
Delia is married to Ivano, an abusive husband, and is the mother of three children, including her teenage daughter Marcella. In addition to her household duties, she cares for her ungrateful father-in-law Ottorino, and occasionally runs errands across the city. Despite her difficult life, Delia has a few allies: Nino, a car mechanic who harbours feelings for her; Marisa, a cheerful greengrocer and trusted friend; and William, an African American soldier who wants to support her.
A few weeks ago, we were lucky enough to chat to Director Paola Cortellesi about her latest film. There’s Still Tomorrow, a film...
Delia is married to Ivano, an abusive husband, and is the mother of three children, including her teenage daughter Marcella. In addition to her household duties, she cares for her ungrateful father-in-law Ottorino, and occasionally runs errands across the city. Despite her difficult life, Delia has a few allies: Nino, a car mechanic who harbours feelings for her; Marisa, a cheerful greengrocer and trusted friend; and William, an African American soldier who wants to support her.
A few weeks ago, we were lucky enough to chat to Director Paola Cortellesi about her latest film. There’s Still Tomorrow, a film...
- 4/25/2024
- by Linda Marric
- HeyUGuys.co.uk
Studiocanal’s Amy Winehouse biopic “Back to Black” stayed atop the U.K. and Ireland box office for the second consecutive weekend with £1.8 million ($2.3 million), according to numbers from Comscore. The film now has a running total of £6.3 million.
In its second weekend, in second place, Entertainment Film Distributors’ “Civil War,” directed by Alex Garland and starring Kirsten Dunst, collected £1.05 million for a total of £3.8 million. In third position, in its fourth weekend, Universal’s “Kung Fu Panda 4” collected £901,615 for a total of £18.5 million.
In fourth place, in its fourth weekend, Warner Bros.’ “Godzilla x Kong: The New Empire” earned £652,128 for a total of £12.8 million. Universal’s “Abigail” debuted in fifth position with £596,590. There were no other debuts in the top 10.
Coming up, Trafalgar Releasing is opening “Aespa World Tour in Cinemas” featuring the eponymous Korean band in their concert at London’s O2 Arena, midweek.
There are a...
In its second weekend, in second place, Entertainment Film Distributors’ “Civil War,” directed by Alex Garland and starring Kirsten Dunst, collected £1.05 million for a total of £3.8 million. In third position, in its fourth weekend, Universal’s “Kung Fu Panda 4” collected £901,615 for a total of £18.5 million.
In fourth place, in its fourth weekend, Warner Bros.’ “Godzilla x Kong: The New Empire” earned £652,128 for a total of £12.8 million. Universal’s “Abigail” debuted in fifth position with £596,590. There were no other debuts in the top 10.
Coming up, Trafalgar Releasing is opening “Aespa World Tour in Cinemas” featuring the eponymous Korean band in their concert at London’s O2 Arena, midweek.
There are a...
- 4/23/2024
- by Naman Ramachandran
- Variety Film + TV
Danish director Jeanette Nordahl’s sophomore feature Beginnings has been picked up by Denmark’s REinvent International Sales.
Trine Dyrholm and David Dencik lead the cast, with the shoot commencing on April 29 in Fyn, Denmark. It marks the first time Dyrholm and Dencik have reunited on screen for 18 years, after appearing together in 2006 in Pernille Fischer Christensen’s A Soap, which won the Silver Bear at the Berlinale.
They play a married couple, Thomas and Ane, in the grips of a divorce who have not yet told their children. Thomas is on the verge of moving in with his new...
Trine Dyrholm and David Dencik lead the cast, with the shoot commencing on April 29 in Fyn, Denmark. It marks the first time Dyrholm and Dencik have reunited on screen for 18 years, after appearing together in 2006 in Pernille Fischer Christensen’s A Soap, which won the Silver Bear at the Berlinale.
They play a married couple, Thomas and Ane, in the grips of a divorce who have not yet told their children. Thomas is on the verge of moving in with his new...
- 4/18/2024
- ScreenDaily
Jeanette Nordahl’s sophomore feature Beginnings has been picked up for international sales by Denmark’s REinvent International Sales.
Trine Dyrholm and David Dencik lead the cast, with the shoot commencing on April 29 in Fyn, Denmark. It marks the first time Dyrholm and Dencik have reunited on screen for 18 years, after appearing together in 2006 in Pernille Fischer Christensen’s A Soap, which won the Silver Bear the Berlinale.
They play a married couple, Ane and Thomas, who are in the grips of a divorce but haven’t told their kids yet. Thomas is on the verge of moving in with...
Trine Dyrholm and David Dencik lead the cast, with the shoot commencing on April 29 in Fyn, Denmark. It marks the first time Dyrholm and Dencik have reunited on screen for 18 years, after appearing together in 2006 in Pernille Fischer Christensen’s A Soap, which won the Silver Bear the Berlinale.
They play a married couple, Ane and Thomas, who are in the grips of a divorce but haven’t told their kids yet. Thomas is on the verge of moving in with...
- 4/18/2024
- ScreenDaily
Vue International is planning a further shift into non-English language direct distribution following the release of black-and-white Italian comedy drama There’s Still Tomorrow, according to CEO Tim Richards.
”We’re going to start bringing in Polish films, German films, Dutch films and Danish films as well,” said Richards, talking today at The Leisure Property Forum held at the Vue West End in London. ”We know there’s a market here, particularly this year when there are fewer films being released.”
Actor Paola Cortellesi’s directorial debut There’s Still Tomorrow proved a smash hit in its native Italy, where it was released by Vision Distribution,...
”We’re going to start bringing in Polish films, German films, Dutch films and Danish films as well,” said Richards, talking today at The Leisure Property Forum held at the Vue West End in London. ”We know there’s a market here, particularly this year when there are fewer films being released.”
Actor Paola Cortellesi’s directorial debut There’s Still Tomorrow proved a smash hit in its native Italy, where it was released by Vision Distribution,...
- 4/17/2024
- ScreenDaily
Distributors who adhere to longer exclusive theatrical windows can mitigate against digital piracy, the CinemaCon panel ‘Changing Tastes And Changing Landscapes’ head on Monday.
Cinepolis COO Miguel Mier said digital content was an easier target for criminals, concluding: “The longer the window, the better our business and the less pirated it is.”
Rebecca Kearey, EVP/head of business operations and international at Searchlight Pictures agreed. “If you’re a studio and you control global distribution, you can mitigate some of this because you’re working on windows. If you’re an independent, it’s much harder.”
The panel also addressed the success of local-language cinema.
Cinepolis COO Miguel Mier said digital content was an easier target for criminals, concluding: “The longer the window, the better our business and the less pirated it is.”
Rebecca Kearey, EVP/head of business operations and international at Searchlight Pictures agreed. “If you’re a studio and you control global distribution, you can mitigate some of this because you’re working on windows. If you’re an independent, it’s much harder.”
The panel also addressed the success of local-language cinema.
- 4/8/2024
- ScreenDaily
The global box office saw some encouraging rebound in 2023, and is off to a better than expected start in the first quarter of this year, but there’s been concern about a downward trend in per capita admissions, and not just because of the strikes’ disruption to the Hollywood theatrical pipeline, but audiences’ moviegoing tendencies have changed coming out of Covid. How to solve?
It takes two to tango, specifically between exhibitors and studios in order to rally moviegoing back to pre-pandemic heyday levels; last year’s near $34 billion global box office was still 15% behind the 2017-2019 average.
It all comes down to both studios and theater chains “working together to share information” said Paramount SVP, International Distribution, Helen Moss, “to elevate something new you can’t get at home.”
Moss’ remarks were made today during the CinemaCon Las Vegas session “Changing Tastes and Changing Landscapes” moderated by Deadline International Box Office Editor Nancy Tartaglione.
It takes two to tango, specifically between exhibitors and studios in order to rally moviegoing back to pre-pandemic heyday levels; last year’s near $34 billion global box office was still 15% behind the 2017-2019 average.
It all comes down to both studios and theater chains “working together to share information” said Paramount SVP, International Distribution, Helen Moss, “to elevate something new you can’t get at home.”
Moss’ remarks were made today during the CinemaCon Las Vegas session “Changing Tastes and Changing Landscapes” moderated by Deadline International Box Office Editor Nancy Tartaglione.
- 4/8/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Italian actress and screenwriter Paola Cortellesi’s directorial feature debut, There’s Still Tomorrow (C’è Ancora Domani), and Matteo Garrone’s Io Capitano lead nominations at this year’s David Di Donatello Awards.
There’s Still Tomorrow nabbed 19 noms, including best film while Io Capitano landed 15, including best director for Garrone. Trailing the leading two is Alice Rohrwacher’s latest film, La Chimera, starring Josh O’Connor. Other leading films are Rapito (11), Comandante (10), Il Sol Dell’avvenire (7), and Adagio (5).
The 69th David di Donatello Awards take place May 3. The live show will be broadcast on Rai 1 in Italy. This year’s hosts include Carlo Conti and Alessia Marcuzzi. The ceremony will take place at the legendary Cinecittà studios.
Check out the full list of nominees below:
Best Film
C’È Ancora DOMANIprodotto da Mario Gianani e Lorenzo Gangarossa per Wildside società del gruppo Fremantle; Vision Distribution società del gruppo Sky; in collaborazione...
There’s Still Tomorrow nabbed 19 noms, including best film while Io Capitano landed 15, including best director for Garrone. Trailing the leading two is Alice Rohrwacher’s latest film, La Chimera, starring Josh O’Connor. Other leading films are Rapito (11), Comandante (10), Il Sol Dell’avvenire (7), and Adagio (5).
The 69th David di Donatello Awards take place May 3. The live show will be broadcast on Rai 1 in Italy. This year’s hosts include Carlo Conti and Alessia Marcuzzi. The ceremony will take place at the legendary Cinecittà studios.
Check out the full list of nominees below:
Best Film
C’È Ancora DOMANIprodotto da Mario Gianani e Lorenzo Gangarossa per Wildside società del gruppo Fremantle; Vision Distribution società del gruppo Sky; in collaborazione...
- 4/3/2024
- by Zac Ntim
- Deadline Film + TV
Italian film and TV orgs will hold an emergency press conference in Rome next week to discuss the damage being done to their sectors by uncertainty over the future of direct funding and tax credits.
The meeting on April 5 in Rome’s Cinema Adriano will gather the members of 14 professional bodies including filmmakers’ org 100 Autori, producer groups Anica and Agici, Cartoon Italia and the actors’ association Unita.
“The first quarter of 2024 saw an abrupt halt in film and audiovisual production, due to uncertainty and the continued delay in the implementation of public support measures for the sector,” said the film and TV orgs in a statement announcing the conference.
Italy’s right-wing government has been making noises for months about its reform of the country’s Cinema Law, first mooted prior to its arrival in power in 2022.
The legislation covers direct film and TV funding, as well as the 40% tax...
The meeting on April 5 in Rome’s Cinema Adriano will gather the members of 14 professional bodies including filmmakers’ org 100 Autori, producer groups Anica and Agici, Cartoon Italia and the actors’ association Unita.
“The first quarter of 2024 saw an abrupt halt in film and audiovisual production, due to uncertainty and the continued delay in the implementation of public support measures for the sector,” said the film and TV orgs in a statement announcing the conference.
Italy’s right-wing government has been making noises for months about its reform of the country’s Cinema Law, first mooted prior to its arrival in power in 2022.
The legislation covers direct film and TV funding, as well as the 40% tax...
- 3/29/2024
- by Melanie Goodfellow
- Deadline Film + TV
Edinburgh Filmhouse has received a vital funding boost from the UK government’s Levelling Up community fund and is now on course to re-open this autumn, two years after it was forced to close.
A total of six Scottish community spaces were saved from closure owing to £3.8m funding from the government’s Department for Levelling Up, Housing and Communities’ Community Ownership Fund.
Across the UK, the department has today (March 23) announced £33.5m in funding to protect more than 80 projects. Filmhouse has been awarded £1.54m.
The Edinburgh Filmhouse building was sold for £2.65m in April last year. The building was...
A total of six Scottish community spaces were saved from closure owing to £3.8m funding from the government’s Department for Levelling Up, Housing and Communities’ Community Ownership Fund.
Across the UK, the department has today (March 23) announced £33.5m in funding to protect more than 80 projects. Filmhouse has been awarded £1.54m.
The Edinburgh Filmhouse building was sold for £2.65m in April last year. The building was...
- 3/23/2024
- ScreenDaily
The Berlinale has started advertising for a new-look executive team to work with incoming festival director Tricia Tuttle.
Director, Berlinale Pro will oversee the European Film Market, and work to develops the strategic framework for the Berlinale Pro consortium together with the heads of the Berlinale initiatives Co-Production Market, Berlinale Talents and World Cinema Fund.
According to the job advertisement published in both English and German, the festival is looking for “an inspiring and motivating leader with excellent communication skills” and for someone who should be “a manager with extensive experience and a positive, appreciative approach”.
The successful candidate’s...
Director, Berlinale Pro will oversee the European Film Market, and work to develops the strategic framework for the Berlinale Pro consortium together with the heads of the Berlinale initiatives Co-Production Market, Berlinale Talents and World Cinema Fund.
According to the job advertisement published in both English and German, the festival is looking for “an inspiring and motivating leader with excellent communication skills” and for someone who should be “a manager with extensive experience and a positive, appreciative approach”.
The successful candidate’s...
- 3/22/2024
- ScreenDaily
“There’s Still Tomorrow,” the Italian dramedy that last year became a box office sensation on home soil, is to be released in the U.K. and Ireland by exhibition giant Vue.
Popular Italian actor Paola Cortellesi’s directorial debut, the black-and-white film – titled “C’é Ancora Domani” in Italian — follows the plight of an abused housewife in post-war Rome. It became the most watched release in Italy in 2023 with 5.4 market admissions to date, outperforming both “Barbie” and “Oppenheimer.” With a box office north of $36 million, “There’s Still Tomorrow” is now the country’s 8th highest grossing film of all time, the third-largest Italian film in the last decade and the most successful Italian film directed by a woman. For comparison, its Italian B.O. was almost three times larger that the U.K. and Ireland grosses for “Belfast” (the most successful black-and-white film in the U.K.).
The film is now...
Popular Italian actor Paola Cortellesi’s directorial debut, the black-and-white film – titled “C’é Ancora Domani” in Italian — follows the plight of an abused housewife in post-war Rome. It became the most watched release in Italy in 2023 with 5.4 market admissions to date, outperforming both “Barbie” and “Oppenheimer.” With a box office north of $36 million, “There’s Still Tomorrow” is now the country’s 8th highest grossing film of all time, the third-largest Italian film in the last decade and the most successful Italian film directed by a woman. For comparison, its Italian B.O. was almost three times larger that the U.K. and Ireland grosses for “Belfast” (the most successful black-and-white film in the U.K.).
The film is now...
- 3/22/2024
- by Alex Ritman
- Variety Film + TV
It is the film that just keeps on delivering in Italy. Paola Cortellesi’s smash hit There’s Still Tomorrow (C’è Ancora Domani) returned to cinemas in Italy for International Women’s Day on March 8, taking €137,000 to finish in second place at the box office behind Dune: Part Two.
The post-war comedy drama has now taken $39.8m (€36.6m) since its release by Vision Distribution on October 26, 2023, after its premiere opening the Rome Film Festival. There’s Still Tomorrow was the top film at the Italian box office in 2023, ahead of Barbie (€32.1m) and Oppenheimer (€27.9m). It is also the first Italian film...
The post-war comedy drama has now taken $39.8m (€36.6m) since its release by Vision Distribution on October 26, 2023, after its premiere opening the Rome Film Festival. There’s Still Tomorrow was the top film at the Italian box office in 2023, ahead of Barbie (€32.1m) and Oppenheimer (€27.9m). It is also the first Italian film...
- 3/22/2024
- ScreenDaily
Revenues and profits at European production group Fremantle, whose labels are behind films such as Oscar winner Poor Things and Italian box office hit There’s Still Tomorrow, fell in 2023.
Revenue was down by 3.5% to €2.27bn while adjusted Ebita declined 14.2% to €139m.
The figures were published this morning (March 14) as Fremantle parent company Rtl Group announced its annual results for 2023.
Fremantle’s revenue fall comes as it seeks to hit a well-publicised target of €3bn in revenues by 2025/26.
Rtl Group said Fremantle’s 2023 fall in revenue was “mainly due to timing effects and negative foreign exchange rate effects”.
Rtl reiterated its...
Revenue was down by 3.5% to €2.27bn while adjusted Ebita declined 14.2% to €139m.
The figures were published this morning (March 14) as Fremantle parent company Rtl Group announced its annual results for 2023.
Fremantle’s revenue fall comes as it seeks to hit a well-publicised target of €3bn in revenues by 2025/26.
Rtl Group said Fremantle’s 2023 fall in revenue was “mainly due to timing effects and negative foreign exchange rate effects”.
Rtl reiterated its...
- 3/14/2024
- ScreenDaily
Revenues and profits at European production group Fremantle, whose labels are behind films such as Oscar winner Poor Things and Italian box office hit There’s Still Tomorrow, fell in 2023.
Revenue was down by 3.5% to €2.27bn while adjusted Ebita declined 14.2% to €139m.
The figures were published this morning (March 14) as Fremantle parent company Rtl Group announced its annual results for 2023.
Fremantle’s revenue fall comes as it seeks to hit a well-publicised target of €3bn in revenues by 2025/26.
Rtl Group said Fremantle’s 2023 fall in revenue was “mainly due to timing effects and negative foreign exchange rate effects”.
Rtl reiterated its...
Revenue was down by 3.5% to €2.27bn while adjusted Ebita declined 14.2% to €139m.
The figures were published this morning (March 14) as Fremantle parent company Rtl Group announced its annual results for 2023.
Fremantle’s revenue fall comes as it seeks to hit a well-publicised target of €3bn in revenues by 2025/26.
Rtl Group said Fremantle’s 2023 fall in revenue was “mainly due to timing effects and negative foreign exchange rate effects”.
Rtl reiterated its...
- 3/14/2024
- ScreenDaily
Rtl Group, the European media giant that owns Fremantle, saw revenues and profits slip in the second half of 2023, amid a stubbornly weak market for traditional TV advertising.
Group revenue at Bertelsmann-owned group was down 5.4 percent to €6.2 billion ($6.8 billion), which Rtl attributed to “lower TV advertising revenue and lower Fremantle revenue.” Adjusted profits (Ebita) fell to €782 million ($855 million) from €922 million ($1 billion) over the same period in 2022.
TV ad revenue across the group dropped 8.2 percent year-over-year, a sign that free-to-air television in Europe continues to struggle. Revenue from Rtl’s in-house streaming operations — Rtl+ in Germany and Hungary, and France’s M6+ — were up an impressive 72.6 percent to €283 million ($310 million) from €164 million ($179 million) a year earlier, but the company still booked €179 million ($196 million) in start-up losses for its streaming operations.
Rtl said it currently has 5.6 million paying subscribers across its German, French and Hungary SVOD services and hopes to hit...
Group revenue at Bertelsmann-owned group was down 5.4 percent to €6.2 billion ($6.8 billion), which Rtl attributed to “lower TV advertising revenue and lower Fremantle revenue.” Adjusted profits (Ebita) fell to €782 million ($855 million) from €922 million ($1 billion) over the same period in 2022.
TV ad revenue across the group dropped 8.2 percent year-over-year, a sign that free-to-air television in Europe continues to struggle. Revenue from Rtl’s in-house streaming operations — Rtl+ in Germany and Hungary, and France’s M6+ — were up an impressive 72.6 percent to €283 million ($310 million) from €164 million ($179 million) a year earlier, but the company still booked €179 million ($196 million) in start-up losses for its streaming operations.
Rtl said it currently has 5.6 million paying subscribers across its German, French and Hungary SVOD services and hopes to hit...
- 3/14/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
First-time director Paola Cortellesi tells of her surprise at success of the uncompromising There’s Still Tomorrow
In a packed cinema in Rome, the casual cruelty of the slap stunned the audience into an uneasy silence.
It was the opening scene of C’è ancora domani (There’s Still Tomorrow), the directorial debut by the comic actor Paola Cortellesi, which had just been released after opening at the Rome film festival.
In a packed cinema in Rome, the casual cruelty of the slap stunned the audience into an uneasy silence.
It was the opening scene of C’è ancora domani (There’s Still Tomorrow), the directorial debut by the comic actor Paola Cortellesi, which had just been released after opening at the Rome film festival.
- 3/12/2024
- by Angela Giuffrida in Rome
- The Guardian - Film News
Italy, where debate over violence against women is currently raging, is celebrating International Women’s Day by becoming the first country to theatrically release “Tatami,” a female empowerment thriller about an Iranian judo fighter that made a splash in Venice and marks the first collaboration by Iranian and Israeli filmmakers.
Italy’s Bim Distribuzione is bowing “Tatami” – which is co-helmed by Iranian actress Zar Amir Ebrahimi (“Holy Spider) and Israeli director Guy Nattiv – on 90 local movie screens on Friday as an International Women’s Day special preview at a discounted €3.50 ($3.80) ticket price. The film will officially release locally on April 4.
“Tatami” reconstructs the tale of a young judo champion named Leila, played by Arienne Mandi, who Iranian authorities wanted to force to withdraw from a competition in order to keep her from competing against an Israeli athlete.
In an interview with Variety, Ebrahimi, who also stars, said that depicting the...
Italy’s Bim Distribuzione is bowing “Tatami” – which is co-helmed by Iranian actress Zar Amir Ebrahimi (“Holy Spider) and Israeli director Guy Nattiv – on 90 local movie screens on Friday as an International Women’s Day special preview at a discounted €3.50 ($3.80) ticket price. The film will officially release locally on April 4.
“Tatami” reconstructs the tale of a young judo champion named Leila, played by Arienne Mandi, who Iranian authorities wanted to force to withdraw from a competition in order to keep her from competing against an Israeli athlete.
In an interview with Variety, Ebrahimi, who also stars, said that depicting the...
- 3/8/2024
- by Nick Vivarelli
- Variety Film + TV
Fremantle has appointed new bosses for its Italian production subsidiaries The Apartment and Wildside but will continue to work with outgoing CEOs Lorenzo Mieli and Mario Gianani.
Fremantle on Thursday announced that Annamaria Morelli will be taking over as CEO of The Apartment and Sonia Rovai as CEO of Wildside. Fremantle said both companies will continue to have editorial autonomy while coordinating with Fremantle on an organizational basis, and will continue to work with the same talents, Italian and international, going forward.
“Annamaria Morelli and Sonia Rovai have vision, experience and passion. I am so happy to welcome them to The Apartment and Wildside, two labels that have attracted some of the best talent, both Italian and international,” said Andrea Scrosati, group COO and CEO, continental Europe at Fremantle. “We are and will continue to be the place creatives want to call home. A place where you can express your...
Fremantle on Thursday announced that Annamaria Morelli will be taking over as CEO of The Apartment and Sonia Rovai as CEO of Wildside. Fremantle said both companies will continue to have editorial autonomy while coordinating with Fremantle on an organizational basis, and will continue to work with the same talents, Italian and international, going forward.
“Annamaria Morelli and Sonia Rovai have vision, experience and passion. I am so happy to welcome them to The Apartment and Wildside, two labels that have attracted some of the best talent, both Italian and international,” said Andrea Scrosati, group COO and CEO, continental Europe at Fremantle. “We are and will continue to be the place creatives want to call home. A place where you can express your...
- 2/29/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Italy — which is the Country of Focus at this year’s European Film Market in Berlin — is flourishing in terms of production activity just as its box office grosses start to pick up. Yet there’s room for improvement in terms of the number of titles that are able to break out internationally.
The Cinema Italiano output currently stands at over 350 movies a year, including co-productions, which is up compared with pre-pandemic levels. Still, while exports are growing, Italy only has a handful of directors — such as Paolo Sorrentino, Luca Guadagnino, Matteo Garrone and Alice Rohrwacher — whose movies consistently manage to travel around the world.
That said, a new generation of Italian auteurs is emerging. Case in point are the country’s two titles in the Berlin Film Festival competition: star-studded sci-fi film “Another End,” and musical comedy “Gloria!”
“Another End” is the sophomore work by Piero Messina, whose first film,...
The Cinema Italiano output currently stands at over 350 movies a year, including co-productions, which is up compared with pre-pandemic levels. Still, while exports are growing, Italy only has a handful of directors — such as Paolo Sorrentino, Luca Guadagnino, Matteo Garrone and Alice Rohrwacher — whose movies consistently manage to travel around the world.
That said, a new generation of Italian auteurs is emerging. Case in point are the country’s two titles in the Berlin Film Festival competition: star-studded sci-fi film “Another End,” and musical comedy “Gloria!”
“Another End” is the sophomore work by Piero Messina, whose first film,...
- 2/17/2024
- by Nick Vivarelli
- Variety Film + TV
The Union of Italian Exporters Anica, which represents most of the country’s leading sales agents, has expressed concern about the launch of Rai Cinema’s new film sales operation.
Rai Cinema International Distribution makes its market debut at EFM this week with a slate of 10 films. It will handle new features, while existing TV and film sales distribution operation Rai Com will sell library titles.
In a statement issued exclusively to Screen, the Union noted its “concern about the entry into the market of a fully publicly funded operator” which it described as a “giant” compared to other Italian companies.
Rai Cinema International Distribution makes its market debut at EFM this week with a slate of 10 films. It will handle new features, while existing TV and film sales distribution operation Rai Com will sell library titles.
In a statement issued exclusively to Screen, the Union noted its “concern about the entry into the market of a fully publicly funded operator” which it described as a “giant” compared to other Italian companies.
- 2/14/2024
- ScreenDaily
The Barbenheimer phenomenon and Spider-Man helped boost European cinemagoing and box office in 2023.
“2023 proved to be a successful year for European cinemas thanks to smash-hit international titles including Barbie, Oppenheimer, The Super Mario Bros. Movie, Spider-Man: Across the Spider-Verse, Mission: Impossible – Dead Reckoning Part One and Wonka, as well as a wide range of highly popular national releases,” the International Union of Cinemas (Unic) said on Wednesday, based on preliminary estimates.
With figures for several territories still to be confirmed, Unic estimated that European admissions increased by 21 percent last year and that total box office for the year reached around €7.1 billion ($7.6 billion), a gain of 24 percent in Europe and 25 percent in the European Union compared with 2022. The latter would see the figure for the year come in just 8 percent below the pre-pandemic results for the 2017-2019 period.
Unic, which represents European cinema operators and trade associations in 39 territories, said...
“2023 proved to be a successful year for European cinemas thanks to smash-hit international titles including Barbie, Oppenheimer, The Super Mario Bros. Movie, Spider-Man: Across the Spider-Verse, Mission: Impossible – Dead Reckoning Part One and Wonka, as well as a wide range of highly popular national releases,” the International Union of Cinemas (Unic) said on Wednesday, based on preliminary estimates.
With figures for several territories still to be confirmed, Unic estimated that European admissions increased by 21 percent last year and that total box office for the year reached around €7.1 billion ($7.6 billion), a gain of 24 percent in Europe and 25 percent in the European Union compared with 2022. The latter would see the figure for the year come in just 8 percent below the pre-pandemic results for the 2017-2019 period.
Unic, which represents European cinema operators and trade associations in 39 territories, said...
- 2/14/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Mother, Couch, the Niclas Larsson-directed film, took the Dragon Award for Best Nordic Film at the Göteborg Film Festival. The film was awarded Sek 400,000, which is about $38,000.
The film stars Ewan McGregor, who had also received an honorary Dragon Award during 47th edition of the festival.
Mother, Couch made its debut at last year’s Toronto Film Festival. The debut film by Larsson is based on Swedish author Jerker Virdborg’s novel Mamma i soffa, a story of three children who are brought together when their mother refuses to move from a couch in a furniture store.
Other winners at Göteborg included Oona Airola’s Best Acting award for The Missile, with Juan Sarmiento G. taking the award for cinematography and Nikolaj Arcel’s The Promised Land taking the Audience Dragon Award for Best Nordic Film.
Full list of winners Best Nordic Film
Mother, Couch
Best Acting
Oona Airola...
The film stars Ewan McGregor, who had also received an honorary Dragon Award during 47th edition of the festival.
Mother, Couch made its debut at last year’s Toronto Film Festival. The debut film by Larsson is based on Swedish author Jerker Virdborg’s novel Mamma i soffa, a story of three children who are brought together when their mother refuses to move from a couch in a furniture store.
Other winners at Göteborg included Oona Airola’s Best Acting award for The Missile, with Juan Sarmiento G. taking the award for cinematography and Nikolaj Arcel’s The Promised Land taking the Audience Dragon Award for Best Nordic Film.
Full list of winners Best Nordic Film
Mother, Couch
Best Acting
Oona Airola...
- 2/4/2024
- by Armando Tinoco
- Deadline Film + TV
Niclas Larsson’s Mother, Couch took the Dragon award for best Nordic film at Goteborg Film Festival, which held its closing ceremony this evening.
The Swedish-us drama received the 400,000 Sek prize from the five-person jury, consisting of actors Lena Endre and William Spetz, and directors Ramata-Toulaye Sy, Tonia Noyabrova and Anna Novion.
Scroll down for the full list of winners
The jury chose the film for its “original and bold storytelling with a lot of humour; with the use of creative cinematography and sharp and witty dialogue.”
Mother, Couch centres on three children who are brought together when their mother...
The Swedish-us drama received the 400,000 Sek prize from the five-person jury, consisting of actors Lena Endre and William Spetz, and directors Ramata-Toulaye Sy, Tonia Noyabrova and Anna Novion.
Scroll down for the full list of winners
The jury chose the film for its “original and bold storytelling with a lot of humour; with the use of creative cinematography and sharp and witty dialogue.”
Mother, Couch centres on three children who are brought together when their mother...
- 2/3/2024
- ScreenDaily
For Italian conductor Beatrice Venezi, 2024 kicked off on a decidedly sour note.
On New Year’s Eve the baton-wielding Venezi, a friend of right-wing Prime Minister Giorgia Meloni, was heckled at the Opéra de Nice by French anti-fascist protesters as she took to the podium.
The incident reflected tensions rippling through European entertainment industry circles as far-right parties sweep to power in Italy and the Netherlands and gain ground across the EU.
Italy took a sharp turn to the right in 2022, when Meloni, whose Brothers of Italy party has neo-fascist roots, emerged the winner in the national elections. Since then her right-wing camp, which denies accusations of nostalgia for fascism, has moved to hold more sway within state-controlled media and cultural institutions such as broadcaster Rai, the Centro Sperimentale film school and the Biennale, the Venice Film Festival’s parent organization.
Scrutiny is being directed at Venezi, an adviser to Meloni-appointed culture minister Gennaro Sangiuliano.
On New Year’s Eve the baton-wielding Venezi, a friend of right-wing Prime Minister Giorgia Meloni, was heckled at the Opéra de Nice by French anti-fascist protesters as she took to the podium.
The incident reflected tensions rippling through European entertainment industry circles as far-right parties sweep to power in Italy and the Netherlands and gain ground across the EU.
Italy took a sharp turn to the right in 2022, when Meloni, whose Brothers of Italy party has neo-fascist roots, emerged the winner in the national elections. Since then her right-wing camp, which denies accusations of nostalgia for fascism, has moved to hold more sway within state-controlled media and cultural institutions such as broadcaster Rai, the Centro Sperimentale film school and the Biennale, the Venice Film Festival’s parent organization.
Scrutiny is being directed at Venezi, an adviser to Meloni-appointed culture minister Gennaro Sangiuliano.
- 2/2/2024
- by Nick Vivarelli
- Variety Film + TV
Welcome to Global Breakouts, Deadline’s fortnightly strand in which we shine a spotlight on the TV shows and films killing it in their local territories. The industry is as globalized as it’s ever been, but breakout hits are emerging in pockets of the world all the time and it can be hard to keep track. So we’re going to do the hard work for you.
This week we explore Italian movie hit There’s Still Tomorrow, which begins rolling out on cinema screens worldwide this spring with other key deals underway after a stellar release back home last fall, where it is now the ninth highest-grossing film in the history of the country’s box office.
Name: There’s Still Tomorrow
Country: Italy
Producer: Wildside
Seller: Vision Distribution
Where you can watch: In cinemas worldwide (see distributor list below)
For fans of: Roberto Benigni’s Life Is Beautiful, Ettore Scola’s A Special Day,...
This week we explore Italian movie hit There’s Still Tomorrow, which begins rolling out on cinema screens worldwide this spring with other key deals underway after a stellar release back home last fall, where it is now the ninth highest-grossing film in the history of the country’s box office.
Name: There’s Still Tomorrow
Country: Italy
Producer: Wildside
Seller: Vision Distribution
Where you can watch: In cinemas worldwide (see distributor list below)
For fans of: Roberto Benigni’s Life Is Beautiful, Ettore Scola’s A Special Day,...
- 1/24/2024
- by Melanie Goodfellow
- Deadline Film + TV
Prominent Italian producers Mario Gianani and Lorenzo Mieli are exiting their Fremantle-owned companies — Wildside and The Apartment, respectively — in an industry shakeup expected to lead them to jointly form a new independent scripted content outfit.
Gianani and Mieli co-founded Wildside in 2009 and turned it into the powerhouse behind major global dramas such as Rai/HBO’s “The Young Pope” and “My Brilliant Friend,” to name a few. Wildside was aquired by Fremantle in 2015.
Mieli subsequently went his own way and set up The Apartment in 2020 under the Fremantle umbrella. Recent The Apartment titles include Sofia Coppola’s “Priscilla” and Pablo Larrain’s upcoming Angelina-starrer “Maria” about iconic soprano Maria Callas, amid a rich international slate.
A Fremantle Italy spokesperson confirmed the ongoing exits of the two top producers, adding that the separations are not acrimonious and that Fremantle is discussing “the ways in which we will will continue to work together.
Gianani and Mieli co-founded Wildside in 2009 and turned it into the powerhouse behind major global dramas such as Rai/HBO’s “The Young Pope” and “My Brilliant Friend,” to name a few. Wildside was aquired by Fremantle in 2015.
Mieli subsequently went his own way and set up The Apartment in 2020 under the Fremantle umbrella. Recent The Apartment titles include Sofia Coppola’s “Priscilla” and Pablo Larrain’s upcoming Angelina-starrer “Maria” about iconic soprano Maria Callas, amid a rich international slate.
A Fremantle Italy spokesperson confirmed the ongoing exits of the two top producers, adding that the separations are not acrimonious and that Fremantle is discussing “the ways in which we will will continue to work together.
- 1/19/2024
- by Nick Vivarelli
- Variety Film + TV
Lorenzo Mieli and Mario Gianani are exiting their Fremantle-owned Italian production companies.
The pair are among Italy’s most well known TV and film producers, but their exits have been confirmed, with their next moves not yet official. They may team together to launch their own indie together, reports say.
A Fremantle spokesperson said the super-indie would look to work with Mieli and Gianani “in a different structure” in the future.
The Hollywood Reporter Italy, which revealed the news towards the end of 2023, reported the pair are planning their own production company, but neither could be contacted for comment before press time.
Fremantle confirmed it remains the 100% owner of both indies and new leadership to be announced in due course.
Gianani’s Wildside makes features such as There’s Still Tomorrow and Finally Dawn and TV shows including Disney+ original The Good Mothers, while Mieli’s company, The Apartment, made...
The pair are among Italy’s most well known TV and film producers, but their exits have been confirmed, with their next moves not yet official. They may team together to launch their own indie together, reports say.
A Fremantle spokesperson said the super-indie would look to work with Mieli and Gianani “in a different structure” in the future.
The Hollywood Reporter Italy, which revealed the news towards the end of 2023, reported the pair are planning their own production company, but neither could be contacted for comment before press time.
Fremantle confirmed it remains the 100% owner of both indies and new leadership to be announced in due course.
Gianani’s Wildside makes features such as There’s Still Tomorrow and Finally Dawn and TV shows including Disney+ original The Good Mothers, while Mieli’s company, The Apartment, made...
- 1/19/2024
- by Jesse Whittock
- Deadline Film + TV
Two of Italy’s top producers – The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani – are leaving their Fremantle-owned companies.
Between them, Mieli and Gianani’s companies have produced many of Italy’s most acclaimed features of recent years.
A Fremantle spokesperson confirmed their departures, describing the moves as amicable, and told Screen: “We are finalising a way to continue to work together in a different structure.”
Gianani’s Wildside is behind 2023 Italian box office smash There’s Still Tomorrow, as well as festival hits The Eight Mountains, Saverio Costanzo’s Finally Dawn and Disney+ series The Good Mothers.
Between them, Mieli and Gianani’s companies have produced many of Italy’s most acclaimed features of recent years.
A Fremantle spokesperson confirmed their departures, describing the moves as amicable, and told Screen: “We are finalising a way to continue to work together in a different structure.”
Gianani’s Wildside is behind 2023 Italian box office smash There’s Still Tomorrow, as well as festival hits The Eight Mountains, Saverio Costanzo’s Finally Dawn and Disney+ series The Good Mothers.
- 1/18/2024
- ScreenDaily
Two of Italy’s top producers – The Apartment’s Lorenzo Mieli and Wildside’s Mario Gianani – are leaving their Fremantle-backed companies.
Between them, Mieli and Gianani’s companies have produced many of Italy’s most acclaimed features of recent years.
A Fremantle spokesperson confirmed their departures, describing the moves as amicable, and told Screen: “We are finalising a way to continue to work together in a different structure.”
Gianani’s Wildside is behind 2023 Italian box office smash There’s Still Tomorrow, as well as festival hits The Eight Mountains, Saverio Costanzo’s Finally Dawn and Disney+ series The Good Mothers.
Between them, Mieli and Gianani’s companies have produced many of Italy’s most acclaimed features of recent years.
A Fremantle spokesperson confirmed their departures, describing the moves as amicable, and told Screen: “We are finalising a way to continue to work together in a different structure.”
Gianani’s Wildside is behind 2023 Italian box office smash There’s Still Tomorrow, as well as festival hits The Eight Mountains, Saverio Costanzo’s Finally Dawn and Disney+ series The Good Mothers.
- 1/18/2024
- ScreenDaily
Italy’s box office revenue rose in 2023 to €495 million ($542 million) while the country’s admissions tally reached 70.5 million, representing a roughly 60% increase compared with 2022.
Though Italian moviegoing figures – announced Wednesday in Rome by national box office compiler Cinetel – mark a substantial leap forward, they are still down roughly 23% compared with the country’s average box office intake during the period between 2017 and 2019. Prior to the pandemic, the benchmark of a good year was considered 100 million admissions. So, 70.5 million is still way below par.
On the positive side, there is the surprise success of feminist black-and-white dramedy “There’s Still Tomorrow,” about the plight of an abused housewife in post-war Rome, which is the directorial debut of popular Italian actor Paola Cortellesi. “There’s Still Tomorrow” scored a whopping $36 million, landing the No. 1 spot and beating “Barbie” which, at No. 2, pulled roughly $35 million. “Oppenheimer,” in the third spot, took in $30 million at Italian cinemas.
Though Italian moviegoing figures – announced Wednesday in Rome by national box office compiler Cinetel – mark a substantial leap forward, they are still down roughly 23% compared with the country’s average box office intake during the period between 2017 and 2019. Prior to the pandemic, the benchmark of a good year was considered 100 million admissions. So, 70.5 million is still way below par.
On the positive side, there is the surprise success of feminist black-and-white dramedy “There’s Still Tomorrow,” about the plight of an abused housewife in post-war Rome, which is the directorial debut of popular Italian actor Paola Cortellesi. “There’s Still Tomorrow” scored a whopping $36 million, landing the No. 1 spot and beating “Barbie” which, at No. 2, pulled roughly $35 million. “Oppenheimer,” in the third spot, took in $30 million at Italian cinemas.
- 1/10/2024
- by Nick Vivarelli
- Variety Film + TV
Paola Cortellesi’s There’s Still Tomorrow was the year’s top film at the box office.
The Italian box office surged in 2023 in a sign that it is finally starting to pull out of its post-pandemic slump.
Box office takings rose 62% compared to 2022 to hit €495m, according to figures from Italian box office company Cinetel published by audiovisual body Anica. Admissions grew by 59% to reach 70.5m.
However, the Italian theatrical market is still down by approximately 16% in takings and 23% in attendance compared to the pre-pandemic average for the 2017-2019 period.
The top grossing film of the year was There’s Still Tomorrow,...
The Italian box office surged in 2023 in a sign that it is finally starting to pull out of its post-pandemic slump.
Box office takings rose 62% compared to 2022 to hit €495m, according to figures from Italian box office company Cinetel published by audiovisual body Anica. Admissions grew by 59% to reach 70.5m.
However, the Italian theatrical market is still down by approximately 16% in takings and 23% in attendance compared to the pre-pandemic average for the 2017-2019 period.
The top grossing film of the year was There’s Still Tomorrow,...
- 1/9/2024
- by Tim Dams
- ScreenDaily
Festival selection includes Nikolaj Arcel’s ‘The Promised Land’ and Ernst De Geer’s ‘The Hypnosis’.
Goteborg Film Festival has selected almost 250 films for its 47th edition, including recent Nordic favourites The Promised Land starring Mads Mikkelsen and The Hypnosis by Ernst De Geer.
The festival, which runs from January 26 to February 4, has also programmed events including a talk between Ruben Ostlund and Cannes director Thierry Fremaux; and selected Danish actress Sidse Babett Knudsen to receive its Nordic Honorary Dragon award.
Scroll down for the list of festival titles
The 10 films competing in the Nordic Competition include Nikolaj Arcel’s The Promised Land,...
Goteborg Film Festival has selected almost 250 films for its 47th edition, including recent Nordic favourites The Promised Land starring Mads Mikkelsen and The Hypnosis by Ernst De Geer.
The festival, which runs from January 26 to February 4, has also programmed events including a talk between Ruben Ostlund and Cannes director Thierry Fremaux; and selected Danish actress Sidse Babett Knudsen to receive its Nordic Honorary Dragon award.
Scroll down for the list of festival titles
The 10 films competing in the Nordic Competition include Nikolaj Arcel’s The Promised Land,...
- 1/9/2024
- by Ben Dalton
- ScreenDaily
Mohamed Kordofani’s Sudanese title previously opened strongly in Egypt.
Mohamed Kordofani’s Goodbye Julia, which became the first Sudanese feature to ever play at Cannes earlier this year, has achieved another first following its release across the Gulf.
The film has recorded box office of $349,000 from 27,000 admissions following its release by Mad Solutions in Saudi Arabia, Kuwait, Qatar, Oman and Bahrain on December 7 and in the UAE on December 14 across a total of 84 screens. This is a record for a non-Egyptian or non-Saudi arthouse film in the Gcc.
Saudi accounted for 40% of total takings from 37 screens while the UAE represented 30% of revenues from 27 screens.
Mohamed Kordofani’s Goodbye Julia, which became the first Sudanese feature to ever play at Cannes earlier this year, has achieved another first following its release across the Gulf.
The film has recorded box office of $349,000 from 27,000 admissions following its release by Mad Solutions in Saudi Arabia, Kuwait, Qatar, Oman and Bahrain on December 7 and in the UAE on December 14 across a total of 84 screens. This is a record for a non-Egyptian or non-Saudi arthouse film in the Gcc.
Saudi accounted for 40% of total takings from 37 screens while the UAE represented 30% of revenues from 27 screens.
- 12/22/2023
- by Michael Rosser
- ScreenDaily
The post-war feminist feature marks the directorial debut of Italian actor Paola Cortellesi.
The highest-grossing film at the Italian box office in 2023 will likely end up being Greta Gerwig’s Barbie. But a local back-and-white feature will lead the way when it comes to admissions.
There’s Still Tomorrow, a post-war feminist drama comedy that marks the directorial debut of popular Italian actress Paola Cortellesi, has taken $34m (€30.9m) since its release by Vision Distribution on October 26 – behind the $35.3m (€32.1m) grossed by Warner Bros tentpole Barbie following its release in July.
But when it comes to admissions, There’s Still Tomorrow...
The highest-grossing film at the Italian box office in 2023 will likely end up being Greta Gerwig’s Barbie. But a local back-and-white feature will lead the way when it comes to admissions.
There’s Still Tomorrow, a post-war feminist drama comedy that marks the directorial debut of popular Italian actress Paola Cortellesi, has taken $34m (€30.9m) since its release by Vision Distribution on October 26 – behind the $35.3m (€32.1m) grossed by Warner Bros tentpole Barbie following its release in July.
But when it comes to admissions, There’s Still Tomorrow...
- 12/22/2023
- by Gabriele Niola
- ScreenDaily
‘There’s Still Tomorrow’: The Italian Box Office Success Sparking Discussion About Domestic Violence
There’s Still Tomorrow, the new film that has just passed Greta Gerwig’s Barbie to become the most-watched movie in Italy this year, opens on a domestic scene. Delia, played by actress-turned-director Paola Cortellesi, wakes up next to her husband, Ivano (Valerio Mastandrea). “Buongiorno!” she says, brightly. Without a word, he slaps her. Hard. Then, as the soundtrack swells with a 40s romantic tune, Delia gets up to start her day. Violent abuse, it appears, is as much a part of her routine as brushing her hair and getting dressed for work.
It’s a shocking scene. At first, it looks like There’s Still Tomorrow, shot in stark black-and-white, will be a tribute to Italian neo-realist classics like Bicycle Thieves and Rome Open City. But this is no kitchen sink social drama. First come the one-liners: “All the problems started when people stopped marrying their cousins!” Ivano’s father-in-law complains to Delia.
It’s a shocking scene. At first, it looks like There’s Still Tomorrow, shot in stark black-and-white, will be a tribute to Italian neo-realist classics like Bicycle Thieves and Rome Open City. But this is no kitchen sink social drama. First come the one-liners: “All the problems started when people stopped marrying their cousins!” Ivano’s father-in-law complains to Delia.
- 12/18/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
There’s Still Tomorrow (C’è Ancora Domani), the surprise box office hit that has taken Italian cinemas by storm, has become a global sales hit as well, with international distributors snatching up the historic dramedy from actress-turned-director Paola Cortellesi.
The black-and-white feature is set in Rome in 1946, a few days before the referendum to determine whether women will get the vote. Cortellesi stars as Delia, a woman suffering from domestic abuse who longs for emancipation: Both for herself and her daughter. Valerio Mastandrea, Emanuela Fanelli, Vinicio Marchioni, Giorgio Colangeli and Romana Maggiora Vergano co-star.
Vision Distribution, which is handling international sales for There’s Still Tomorrow tells THR Roma they have closed deals for the movie for 18 countries across three continents, including with Limelight for Australia and New Zealand, Providence Filmes – Pandora for Brazil, Swallow Wings Films in Taiwan and Lev Cinema in Israel. The film has nearly sold out in Europe,...
The black-and-white feature is set in Rome in 1946, a few days before the referendum to determine whether women will get the vote. Cortellesi stars as Delia, a woman suffering from domestic abuse who longs for emancipation: Both for herself and her daughter. Valerio Mastandrea, Emanuela Fanelli, Vinicio Marchioni, Giorgio Colangeli and Romana Maggiora Vergano co-star.
Vision Distribution, which is handling international sales for There’s Still Tomorrow tells THR Roma they have closed deals for the movie for 18 countries across three continents, including with Limelight for Australia and New Zealand, Providence Filmes – Pandora for Brazil, Swallow Wings Films in Taiwan and Lev Cinema in Israel. The film has nearly sold out in Europe,...
- 11/20/2023
- by Boris Sollazzo
- The Hollywood Reporter - Movie News
Exclusive: Universal Pictures International has acquired French rights for Italian actress and screenwriter Paola Cortellesi’s feature directorial debut hit There’s Still Tomorrow, in a deal brokered by Vision Distribution.
The drama is currently enjoying a phenomenal box office run in Italy where it has clocked up almost two million admissions since its theatrical launch on October 26 for a box office of some €13m.
It is the best result for an Italian film this year and the biggest box office for a local picture since the beginning of the pandemic in 2020.
Set in the lead up to Italy’s historic post-World War Two institutional referendum on June 2, 1946, in which women were allowed to vote for the first time, the film world premiered as the opening film of the Rome Film Festival in October.
Cortellesi stars as a downtrodden Rome housewife run ragged by her violent husband (Valerio Mastandrea) and unruly...
The drama is currently enjoying a phenomenal box office run in Italy where it has clocked up almost two million admissions since its theatrical launch on October 26 for a box office of some €13m.
It is the best result for an Italian film this year and the biggest box office for a local picture since the beginning of the pandemic in 2020.
Set in the lead up to Italy’s historic post-World War Two institutional referendum on June 2, 1946, in which women were allowed to vote for the first time, the film world premiered as the opening film of the Rome Film Festival in October.
Cortellesi stars as a downtrodden Rome housewife run ragged by her violent husband (Valerio Mastandrea) and unruly...
- 11/14/2023
- by Melanie Goodfellow
- Deadline Film + TV
Italian actress and screenwriter Paola Cortellesi’s directorial feature debut There’s Still Tomorrow (C’è Ancora Domani) opened the 18th Rome Film Festival on Wednesday evening.
Set in the lead up to Italy’s historic post-World War Two institutional referendum on June 2, 1946, in which women were allowed to vote for the first time, the quirky black-and-white work mixes drama with comedy elements, and a period feel with modern music tracks.
Cortellesi stars as protagonist Delia, a downtrodden Rome housewife run ragged by her violent husband (Valerio Mastandrea) and unruly young sons as she juggles odd jobs in between cooking, cleaning as and caring for her misogynist bedridden father-in-law.
In the backdrop, she frets over what the future holds for her teenage daughter who has fallen for a local boy with a possessive streak.
The feature marks a departure for Cortellesi, who is a household name in Italy, best known as a singer and comic actress,...
Set in the lead up to Italy’s historic post-World War Two institutional referendum on June 2, 1946, in which women were allowed to vote for the first time, the quirky black-and-white work mixes drama with comedy elements, and a period feel with modern music tracks.
Cortellesi stars as protagonist Delia, a downtrodden Rome housewife run ragged by her violent husband (Valerio Mastandrea) and unruly young sons as she juggles odd jobs in between cooking, cleaning as and caring for her misogynist bedridden father-in-law.
In the backdrop, she frets over what the future holds for her teenage daughter who has fallen for a local boy with a possessive streak.
The feature marks a departure for Cortellesi, who is a household name in Italy, best known as a singer and comic actress,...
- 10/18/2023
- by Melanie Goodfellow
- Deadline Film + TV
Italy has submitted Matteo Garrone’s Io Capitano as its candidate for Best International Film at the 96th Academy Awards.
The timely drama follows the hardships of two Senegalese teenagers as they try to make it to Europe via the Sahara desert and the Mediterranean Sea.
The film world premiered to critical acclaim in Competition in Venice winning Best Director for Garrone, Best Young Star for co-star Seydou Sarr and Best Production Director for Claudia Cravotta.
The Deadline review out of Venice describes the film as “a blisteringly topical drama” that could be Garrone’s “best” film to date, in a filmography that also includes Gomorrah, Tale of Tales and Dogman.
The selection was made by a committee overseen by Italian cinema organisation Anica. Its members comprised Alessandro Araimo, Domizia De Rosa, Esmeralda Calabria, Daniela Ciancio, Francesca Lo Schiavo, Giorgio Moroder, Cristiana Paternò, Michele Placido, Paola Randi, Riccardo Tozzi and Gianpiero Tulelli.
The timely drama follows the hardships of two Senegalese teenagers as they try to make it to Europe via the Sahara desert and the Mediterranean Sea.
The film world premiered to critical acclaim in Competition in Venice winning Best Director for Garrone, Best Young Star for co-star Seydou Sarr and Best Production Director for Claudia Cravotta.
The Deadline review out of Venice describes the film as “a blisteringly topical drama” that could be Garrone’s “best” film to date, in a filmography that also includes Gomorrah, Tale of Tales and Dogman.
The selection was made by a committee overseen by Italian cinema organisation Anica. Its members comprised Alessandro Araimo, Domizia De Rosa, Esmeralda Calabria, Daniela Ciancio, Francesca Lo Schiavo, Giorgio Moroder, Cristiana Paternò, Michele Placido, Paola Randi, Riccardo Tozzi and Gianpiero Tulelli.
- 9/20/2023
- by Melanie Goodfellow
- Deadline Film + TV
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