The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
- 5/24/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/23/2024
- by Christian Zilko
- Indiewire
A handful of competition premieres just made their way to the Palais to mixed results as the festival starts to wind down, the Cannes Marche du Film shutters Wednesday, and guests pack it up and head home.
In his second time competing for the Palme d’Or after “Red Rocket” three years ago, Sean Baker debuted the spectacularly alive and even exasperating “Anora” (Neon), starring Mikey Madison (“Better Things”) in a breakout, brilliant-from-the-gate lead performance as sex worker Ani. Living paycheck to paycheck in Queens while working as an exotic dancer in Manhattan, she meets a wealthy Russian, Timothée Chalamet-esque Ivan. He pays Ani $15,000 to be his “very horny girlfriend” for a week of debauchery in Vegas and in his remote Brooklyn cocaine mansion. They end up getting married impromptu, much to the unhappiness of Ivan’s parents, who make their return to the U.S. from Russia to get the marriage canceled.
In his second time competing for the Palme d’Or after “Red Rocket” three years ago, Sean Baker debuted the spectacularly alive and even exasperating “Anora” (Neon), starring Mikey Madison (“Better Things”) in a breakout, brilliant-from-the-gate lead performance as sex worker Ani. Living paycheck to paycheck in Queens while working as an exotic dancer in Manhattan, she meets a wealthy Russian, Timothée Chalamet-esque Ivan. He pays Ani $15,000 to be his “very horny girlfriend” for a week of debauchery in Vegas and in his remote Brooklyn cocaine mansion. They end up getting married impromptu, much to the unhappiness of Ivan’s parents, who make their return to the U.S. from Russia to get the marriage canceled.
- 5/22/2024
- by Ryan Lattanzio
- Indiewire
Paul Schrader Says His Next Film Is ‘Non Compos Mentis’ & Is A “Noir, As A Kind Of Sexual Obsession”
Despite many of his generation taking time between films, Paul Schrader is a filmmaker who has kept working quite prolifically over the decades. Since 2002, he’s directed no fewer than 11 features. That’s the kind of output that filmmakers half his age would love to match. And even though he’s just now premiering his most recent film, “Oh Canada,” at the Cannes Film Festival, he’s already got his next one lined up.
Continue reading Paul Schrader Says His Next Film Is ‘Non Compos Mentis’ & Is A “Noir, As A Kind Of Sexual Obsession” at The Playlist.
Continue reading Paul Schrader Says His Next Film Is ‘Non Compos Mentis’ & Is A “Noir, As A Kind Of Sexual Obsession” at The Playlist.
- 5/21/2024
- by Martin Miller
- The Playlist
Ali Abbasi’s The Apprentice has failed to impress the critics on Screen’s Cannes jury grid, recording the lowest score so far this year of 1.7.
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
- 5/21/2024
- ScreenDaily
As the 77th Cannes Film Festival (May 14-25) arrives at its halfway point, here is THR executive editor of awards Scott Feinberg’s assessment of the awards prospects — at the Cannes closing ceremony and later in the fall — of the films that have screened at the fest so far.
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
- 5/20/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Richard Gere and Uma Thurman in Paul Schrader’s Oh, Canada. Gere said: 'When actors look at their films you see your face and your energy at that particular time' Photo: Courtesy of Cannes Film Festival They first worked together some 45 years ago but now directors Richard Schrader and an actor who defined the Eighties Richard Gere have resurrected their collaboration.
Richard Gere: 'As the make-up was put on I saw myself a few years from now, assuming I live to the same ripe age as my father' Photo: Richard Mowe In Oh, Canada, presented in Competition at the Cannes Film Festival, Schrader pays tribute to his late friend, the novelist Russell Banks with Gere almost unrecognisable as a dying documentary filmmaker Leonard Fife setting the record straight at his home in Montreal, filmed by two of his former students and watched over by his wife (play by Uma Thurman...
Richard Gere: 'As the make-up was put on I saw myself a few years from now, assuming I live to the same ripe age as my father' Photo: Richard Mowe In Oh, Canada, presented in Competition at the Cannes Film Festival, Schrader pays tribute to his late friend, the novelist Russell Banks with Gere almost unrecognisable as a dying documentary filmmaker Leonard Fife setting the record straight at his home in Montreal, filmed by two of his former students and watched over by his wife (play by Uma Thurman...
- 5/19/2024
- by Richard Mowe
- eyeforfilm.co.uk
Paul Schrader is having a great time at Cannes, where the screenwriter/director is showcasing his latest film, ‘Oh, Canada‘. Speaking with IndieWire, Schrader revisited the pitch for a sequel to his seminal film with Martin Scorsese and Robert De Niro, Taxi Driver.
Robert De Niro in Taxi Driver/ Columbia Pictures
Robert De Niro had pitched an idea to Martin Scorsese and Paul Schrader, one that was immediately shot down. Schrader talked about how De Niro’s decisions were sometimes colored with the prospect of financial gains, which he opined could have also been the reason that De Niro wanted to make a sequel to the film.
Robert De Niro’s pitch for Taxi Driver 2 was the ‘worst f*cking idea’ Paul Schrader had ever heard Robert De Nero in The Irishman/ Netflix
Paul Schrader talked to IndieWire about how the pitch for the sequel came about, and what his ideas for the sequel were.
Robert De Niro in Taxi Driver/ Columbia Pictures
Robert De Niro had pitched an idea to Martin Scorsese and Paul Schrader, one that was immediately shot down. Schrader talked about how De Niro’s decisions were sometimes colored with the prospect of financial gains, which he opined could have also been the reason that De Niro wanted to make a sequel to the film.
Robert De Niro’s pitch for Taxi Driver 2 was the ‘worst f*cking idea’ Paul Schrader had ever heard Robert De Nero in The Irishman/ Netflix
Paul Schrader talked to IndieWire about how the pitch for the sequel came about, and what his ideas for the sequel were.
- 5/19/2024
- by Anuraag Chatterjee
- FandomWire
Paul Schrader hit Cannes this weekend with Competition title Oh, Canada, reuniting him with American Gigolo star Richard Gere in the role of a terminally ill documentarian who reveals secrets as his life nears its end.
Lead producer David Gonzales says the fact that the film was ready for a Cannes splash was a miracle on a number of fronts.
Development began just 18 months ago after Schrader learned that his good friend, writer Russell Banks, was suffering from cancer.
Schrader, who previously adapted Banks’ novel Affliction to the big screen, felt compelled to make a new film based on Banks’ penultimate 2021 book Foregone, which the writer had originally wanted to title ‘Oh, Canada.’
“He said, ‘This is my next film, I can see the film in my head.’ We’re going back to the end of 2022,” says Gonzales, who secured the rights.
Banks died in January 2023 as Schrader was mid-screenplay.
Lead producer David Gonzales says the fact that the film was ready for a Cannes splash was a miracle on a number of fronts.
Development began just 18 months ago after Schrader learned that his good friend, writer Russell Banks, was suffering from cancer.
Schrader, who previously adapted Banks’ novel Affliction to the big screen, felt compelled to make a new film based on Banks’ penultimate 2021 book Foregone, which the writer had originally wanted to title ‘Oh, Canada.’
“He said, ‘This is my next film, I can see the film in my head.’ We’re going back to the end of 2022,” says Gonzales, who secured the rights.
Banks died in January 2023 as Schrader was mid-screenplay.
- 5/18/2024
- by Melanie Goodfellow
- Deadline Film + TV
The cinema of Paul Schrader has always felt like a confessional, all those dark rooms and troubled men, the registered Swiftie’s own tortured poets department. The confessional edges closer to the form in his latest film Oh, Canada, an august adaptation of Russell Banks’ 2021 novel Foregone that tells of a famous documentary filmmaker at the end of his days, divulging secrets of his past to an interviewer’s head-on camera. Might the old Calvinist be looking for a little more absolution? When Banks, a friend since the director’s adaptation of Affliction, died in 2023, Schrader was coming to the tail end of his own series of health scares––these included everything from hospitalizations for long Covid to the retina detaching from his right eye during the filming of Master Gardener. “If I’m going to make a film about death,” he recently admitted thinking to himself at the time,...
- 5/18/2024
- by Rory O'Connor
- The Film Stage
The Paul Schrader Renaissance began the moment “First Reformed” debuted to the director’s best reviews in at least 15 years, back in 2017. The spiritual trilogy formed around it — “The Card Counter” and “Master Gardener” — have fostered in a new generation’s mind this frankly narrow vision of what constitutes a Paul Schrader movie: men in rooms, pens across diaries, peculiar revenge plots.
It’s likely that audiences anticipating another drama in which a man’s profession comes dressed as the sick soul of America will be baffled by “Oh, Canada,” his newest feature now in competition at the Cannes Film Festival. It’s based on Russell Banks’ 2021 novel “Foregone.” Those well-acquainted with Schrader’s half-century of cinema may find themselves on the edge of bafflement with this film, which uses the last will and testament of documentary filmmaker Leonard Fife (Richard Gere) as a trickle-down device for 55 years of guilt,...
It’s likely that audiences anticipating another drama in which a man’s profession comes dressed as the sick soul of America will be baffled by “Oh, Canada,” his newest feature now in competition at the Cannes Film Festival. It’s based on Russell Banks’ 2021 novel “Foregone.” Those well-acquainted with Schrader’s half-century of cinema may find themselves on the edge of bafflement with this film, which uses the last will and testament of documentary filmmaker Leonard Fife (Richard Gere) as a trickle-down device for 55 years of guilt,...
- 5/18/2024
- by Nick Newman
- Indiewire
Diaries are written in secrecy, free-flowing thoughts anchored to the page as if the ink could stop memories from vanishing through the hands of time. Filmmaker Paul Schrader understands the lingering, often quiet desperation of journaling like few filmmakers do. From “Taxi Driver” to “Master Gardener,” the director’s work returns time and time to a man sitting by a desk with only an open journal, his words, and a small lamp for company.
Continue reading ‘Oh, Canada’ Review: Richard Gere & Jacob Elordi Are Brilliant In Paul Schrader’s Moving Contemplation Of Legacy [Cannes] at The Playlist.
Continue reading ‘Oh, Canada’ Review: Richard Gere & Jacob Elordi Are Brilliant In Paul Schrader’s Moving Contemplation Of Legacy [Cannes] at The Playlist.
- 5/18/2024
- by Rafa Sales Ross
- The Playlist
Paul Schrader will shoot his next feature Non Compos Mentis in the autumn.
The veteran director revealed the details of the project while speaking at the Cannes Film Festival press conference for his latest film Oh, Canada.
”I’ve written a noir, [about] a kind of sexual obsession, called Non Compos Mentis,” he said, with the producer David Gonzales clarifying the title is Latin for ’An Unsound Mind’.
”[Gonzales] has most of the money for the next one already and we’re not even cast, we’re just down to the actors right now.”
Cinema is “up in the air”
The...
The veteran director revealed the details of the project while speaking at the Cannes Film Festival press conference for his latest film Oh, Canada.
”I’ve written a noir, [about] a kind of sexual obsession, called Non Compos Mentis,” he said, with the producer David Gonzales clarifying the title is Latin for ’An Unsound Mind’.
”[Gonzales] has most of the money for the next one already and we’re not even cast, we’re just down to the actors right now.”
Cinema is “up in the air”
The...
- 5/18/2024
- ScreenDaily
Paul Schrader revealed first details about his next feature project entitled Non Compos Mentis during a press conference Saturday for his Cannes Competition title Oh, Canada.
“I’ve written a noir, as a kind of a sexual obsession, called Non Compos Mentis about the stupid things men do for love,” he said.
The project will reunite him with Oh, Canada producer David Gonzales at Northern Lights, who said the project will shoot this fall.
“David has most money for the next one already and we’re not even cast, we just out to actors right now. So on this one we couldn’t get the money until we were cast, but now we’re getting it before we cast.”
Adapted from Russell Banks’ 2021 novel Foregone, Schrader’s Cannes Palme d’Or contender Oh, Canada stars Richard Gere as a famed, terminally ill documentary maker who reveals secrets from...
“I’ve written a noir, as a kind of a sexual obsession, called Non Compos Mentis about the stupid things men do for love,” he said.
The project will reunite him with Oh, Canada producer David Gonzales at Northern Lights, who said the project will shoot this fall.
“David has most money for the next one already and we’re not even cast, we just out to actors right now. So on this one we couldn’t get the money until we were cast, but now we’re getting it before we cast.”
Adapted from Russell Banks’ 2021 novel Foregone, Schrader’s Cannes Palme d’Or contender Oh, Canada stars Richard Gere as a famed, terminally ill documentary maker who reveals secrets from...
- 5/18/2024
- by Melanie Goodfellow
- Deadline Film + TV
Paul Schrader has long been known for his gruff personality, but he was in good spirits and slightly nostalgic during the Saturday press conference at the Cannes Film Festival for his latest film, Oh, Canada, where he also revealed his next film.
Schrader’s iconic team-up with Martin Scorsese, Taxi Driver, premiered at the festival, and the filmmaker has had several runs at the French fest since. This year’s Cannes sees the return of not only Schrader, but Francis Ford Coppola with Megalopolis and George Lucas, who will be on hand to receive an honorary Palme d’Or.
When asked if, at the time, he knew that he and the other directors that were dubbed “New Hollywood” were changing film forever, Schrader said bluntly: “Yes.”
He addressed that time of anxiety in the industry that saw many films failing at the box office. “When the late ’60s hit, studios...
Schrader’s iconic team-up with Martin Scorsese, Taxi Driver, premiered at the festival, and the filmmaker has had several runs at the French fest since. This year’s Cannes sees the return of not only Schrader, but Francis Ford Coppola with Megalopolis and George Lucas, who will be on hand to receive an honorary Palme d’Or.
When asked if, at the time, he knew that he and the other directors that were dubbed “New Hollywood” were changing film forever, Schrader said bluntly: “Yes.”
He addressed that time of anxiety in the industry that saw many films failing at the box office. “When the late ’60s hit, studios...
- 5/18/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The unstoppable Paul Schrader, the 77-year-old auteur who just brought his latest movie “Oh, Canada” to Cannes, has announced his next project.
The director revealed he intends to start production this fall on “Non Compos Mentis,” a noir film he is currently writing. The title is derived from the Latin phrase meaning “unsound mind.” That’s not all the film is about, as Schrader say the project deals with “sexual obsession.”
“It’s about the stupid things men do for love,” Schrader elaborated on stage at the festival press conference for “Oh, Canada.” He and producer Daniel Gonzalez have already secured financing and are in the process of casting.
More to come…...
The director revealed he intends to start production this fall on “Non Compos Mentis,” a noir film he is currently writing. The title is derived from the Latin phrase meaning “unsound mind.” That’s not all the film is about, as Schrader say the project deals with “sexual obsession.”
“It’s about the stupid things men do for love,” Schrader elaborated on stage at the festival press conference for “Oh, Canada.” He and producer Daniel Gonzalez have already secured financing and are in the process of casting.
More to come…...
- 5/18/2024
- by Matt Donnelly
- Variety Film + TV
Paul Schrader had a special job on the set of his latest film, “Oh, Canada”: drawing on the jockstrap that Jacob Elordi wears in one of the Vietnam War drama’s pivotal scenes.
There’s a choice at the heart of “Oh, Canada,” when the fictional filmmaker Leonard Fife dodges the Vietnam draft and escapes to Canada. The script leaves breadcrumbs as to what exactly happens until very late in the film, but finally Elordi is seen reporting for an Army physical. He shows up in a jockstrap with “peace and love” written on the jock, surrounded by tiny flowers. He jitters and shakes and waves his arms flamboyantly. In character, Elordi is attempting to look as unstable as possible to avoid enlisting into military service.
At the Cannes Film Festival press conference for the film, Schrader revealed that he added a finishing touch to the jockstrap that Elordi...
There’s a choice at the heart of “Oh, Canada,” when the fictional filmmaker Leonard Fife dodges the Vietnam draft and escapes to Canada. The script leaves breadcrumbs as to what exactly happens until very late in the film, but finally Elordi is seen reporting for an Army physical. He shows up in a jockstrap with “peace and love” written on the jock, surrounded by tiny flowers. He jitters and shakes and waves his arms flamboyantly. In character, Elordi is attempting to look as unstable as possible to avoid enlisting into military service.
At the Cannes Film Festival press conference for the film, Schrader revealed that he added a finishing touch to the jockstrap that Elordi...
- 5/18/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
Yorgos Lanthimos’ Kinds Of Kindness has landed top of Screen International’s Cannes jury grid with an average score of 2.4.
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
- 5/18/2024
- ScreenDaily
The Johnny Depp-directed film “Modì,” about Italian artist Amedeo Modigliani, has secured a distribution deal in Italy, where it will be released by emerging production/distribution player Be Water.
Above is a first-look image from the set of the film, which is now in post.
“Modì” stars Italy’s Riccardo Scamarcio as the bad boy painter and sculptor, who worked mainly in France and became famous for the groundbreaking modern style of his portraits and nudes. Al Pacino plays international art collector Maurice Gangnat. The “Modì” cast also comprises Antonia Desplat, Stephen Graham (“The Irishman”), Bruno Gouery (“The White Lotus”), Ryan McParland (“Halo”), and Sally Phillips (“Bridget Jones” trilogy).
“Modì” takes place in war-torn Paris during World War I over the course of 72 turbulent hours “that will become a turning point in his life, ultimately solidifying his reputation as an artistic legend,” according to the film’s provided synopsis.
Above is a first-look image from the set of the film, which is now in post.
“Modì” stars Italy’s Riccardo Scamarcio as the bad boy painter and sculptor, who worked mainly in France and became famous for the groundbreaking modern style of his portraits and nudes. Al Pacino plays international art collector Maurice Gangnat. The “Modì” cast also comprises Antonia Desplat, Stephen Graham (“The Irishman”), Bruno Gouery (“The White Lotus”), Ryan McParland (“Halo”), and Sally Phillips (“Bridget Jones” trilogy).
“Modì” takes place in war-torn Paris during World War I over the course of 72 turbulent hours “that will become a turning point in his life, ultimately solidifying his reputation as an artistic legend,” according to the film’s provided synopsis.
- 5/18/2024
- by Nick Vivarelli
- Variety Film + TV
Paul Schrader may have found a trick for cheating death: Just make more movies. Amid some serious health struggles over the past few years, the 77-year-old auteur and screenwriting legend has entered one of his most prolific phases.
“Every time I’m getting ready to die, I have a new idea,” Schrader says. “Then I think, ‘Oh well, I guess I can’t die yet. I have to write this.’ ”
Over a recent five-year stretch, Schrader wrote and directed what he describes as an accidental trilogy — First Reformed (2017) with Ethan Hawke, The Card Counter (2021) with Oscar Isaac and Master Gardener (2022) with Joel Edgerton — with each film involving a fresh spin on the “man alone in a room” archetype he invented nearly 50 years ago with his script for Martin Scorsese’s Taxi Driver (1976). Schrader is now back again with a new feature, Oh, Canada, co-starring Richard Gere, Uma Thurman, Michael Imperioli,...
“Every time I’m getting ready to die, I have a new idea,” Schrader says. “Then I think, ‘Oh well, I guess I can’t die yet. I have to write this.’ ”
Over a recent five-year stretch, Schrader wrote and directed what he describes as an accidental trilogy — First Reformed (2017) with Ethan Hawke, The Card Counter (2021) with Oscar Isaac and Master Gardener (2022) with Joel Edgerton — with each film involving a fresh spin on the “man alone in a room” archetype he invented nearly 50 years ago with his script for Martin Scorsese’s Taxi Driver (1976). Schrader is now back again with a new feature, Oh, Canada, co-starring Richard Gere, Uma Thurman, Michael Imperioli,...
- 5/18/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
by Cláudio Alves
Kinds Of Kindness (2024) Yorgos Lanthimos
After the uproar Megalopolis caused, day four at the Cannes Film Festival was bound to pale in comparison. Nevertheless, it was a busy time at the Croisette, with three Main Competition films making their bows. First was Emanuel Pârvu's Three Miles to the End of the World, which was thought to be a strong contender for the Queer Palm before being met with tepid reviews. Next was Yorgos Lanthimos' Kinds of Kindness, an anthological reunion between the director and his erstwhile writing partner, Efthymis Filippou. The well-reviewed picture marks their first collaboration since 2017. Finally, beloved auteur and Facebook nuisance Paul Schrader presented Oh, Canada, ruminating on mortality and regret.
Walking down memory lane into these directors' past work, let's consider a tryptic bound by themes of guilt. They're Pârvu's Mikado, Lanthimos' The Killing of a Sacred Deer, and Schrader's Light Sleeper…...
Kinds Of Kindness (2024) Yorgos Lanthimos
After the uproar Megalopolis caused, day four at the Cannes Film Festival was bound to pale in comparison. Nevertheless, it was a busy time at the Croisette, with three Main Competition films making their bows. First was Emanuel Pârvu's Three Miles to the End of the World, which was thought to be a strong contender for the Queer Palm before being met with tepid reviews. Next was Yorgos Lanthimos' Kinds of Kindness, an anthological reunion between the director and his erstwhile writing partner, Efthymis Filippou. The well-reviewed picture marks their first collaboration since 2017. Finally, beloved auteur and Facebook nuisance Paul Schrader presented Oh, Canada, ruminating on mortality and regret.
Walking down memory lane into these directors' past work, let's consider a tryptic bound by themes of guilt. They're Pârvu's Mikado, Lanthimos' The Killing of a Sacred Deer, and Schrader's Light Sleeper…...
- 5/18/2024
- by Cláudio Alves
- FilmExperience
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics, filmmakers, and programmers to give their first impressions of the festival. Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Giovanni Marchini CamiaThe reconstruction of Napoléon, as seen by Abel Gance, was the first film to play at this year’s festival—after the Berlinale’s TinyHouse, this is symbolism at its most ready-made. Impossible to watch this inordinately glorious, inordinately chauvinistic film at Cannes without thinking of Thierry Frémaux, the festival world’s very own Napoleon, the man everyone loves to hate. As rumors of an impending labor strike and #MeToo bombshell crescendoed ahead of that evening’s opening ceremony, no image could have been more fitting than Napoleon braving a furious storm on a rickety fishing boat, a French flag fashioned into a sail as his only lifeline.
- 5/17/2024
- MUBI
Jacob Elordi Skips Cannes as Crying Paul Schrader Accepts 4-Minute Standing Ovation for ‘Oh, Canada’
Paul Schrader shed tears as his new film “Oh, Canada” earned a four-minute standing ovation at Cannes Film Festival on Friday night.
Jacob Elordi was notably absent from the premiere because he is filming Guillermo del Toro’s “Frankenstein,” in which he stars as The Monster. After the ovation finished, Schrader addressed Elordi not being there, saying: “I’m very happy with Richard, Uma, Jake — not here with us –and it all worked out. Im very happy to be back here on the Croisette.”
Elordi, whose star continues to rise after acclaimed turns in “Saltburn” and “Priscilla,” made his Cannes debut last year in Sean Price Williams’ road movie “The Sweet East.”
The drama tells the life story of a troubled writer, Leonard Fife, who at the end of his life reflects on his decision to flee to Canada to avoid the Vietnam War draft. Richard Gere plays the present-day Leonard,...
Jacob Elordi was notably absent from the premiere because he is filming Guillermo del Toro’s “Frankenstein,” in which he stars as The Monster. After the ovation finished, Schrader addressed Elordi not being there, saying: “I’m very happy with Richard, Uma, Jake — not here with us –and it all worked out. Im very happy to be back here on the Croisette.”
Elordi, whose star continues to rise after acclaimed turns in “Saltburn” and “Priscilla,” made his Cannes debut last year in Sean Price Williams’ road movie “The Sweet East.”
The drama tells the life story of a troubled writer, Leonard Fife, who at the end of his life reflects on his decision to flee to Canada to avoid the Vietnam War draft. Richard Gere plays the present-day Leonard,...
- 5/17/2024
- by Matt Donnelly, Ramin Setoodeh and Ellise Shafer
- Variety Film + TV
Paul Schrader’s Oh, Canada, the new drama that reunites the director with his American Gigalo star Richard Gere, had its world premiere at the Cannes Film Festival Friday night, where it was welcomed with a three-minute-plus standing ovation for Schrader and his team at the Grand Lumiere Theatre. With typical Canadian politeness, the crowd even applauded the film’s producers.
Before the premiere, Schrader and the cast of Oh, Canada, including Richard Gere, and Uma Thurman, but not Jacob Elordi, had climbed the red carpet steps up the Palais to the sounds of the Canadian national anthem. Among the famous faces in the audience at the theater was Nathalie Emmanuel.
While the creative team received a warm welcome, the film itself was less warmly received, with only polite applause and a perfunctory standing ovation for Schrader and his cast. But there was a collection of whoops and cheers, and at least one “bravo!
Before the premiere, Schrader and the cast of Oh, Canada, including Richard Gere, and Uma Thurman, but not Jacob Elordi, had climbed the red carpet steps up the Palais to the sounds of the Canadian national anthem. Among the famous faces in the audience at the theater was Nathalie Emmanuel.
While the creative team received a warm welcome, the film itself was less warmly received, with only polite applause and a perfunctory standing ovation for Schrader and his cast. But there was a collection of whoops and cheers, and at least one “bravo!
- 5/17/2024
- by Scott Roxborough and Scott Feinberg
- The Hollywood Reporter - Movie News
“How can so much suffering have no meaning?”
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
That’s a question posed by decorated documentary filmmaker Leonard Fife in Paul Schrader’s meandering ode to death, dying, aging, and regret, “Oh, Canada.” It’s inevitably one also felt by audiences who will be left bewildered by the Oscar-nominated filmmaker’s most experimental and alienating work in some time, which loses itself in the process.
With “Oh, Canada,” Schrader splices timelines, color palettes, and aspect ratios to tell Fife’s story as a now-revered nonfiction movie-maker who fled the United States in the late 1960s for Canada to avoid the Vietnam War draft. Schrader is a gifted filmmaker who has given us so much more than “First Reformed” and “The Card Counter,” the only movies audiences of late seem to remember him by. He’s not unfamiliar with unpacking a great and morally complicated artist’s work in wildly subversive...
- 5/17/2024
- by Ryan Lattanzio
- Indiewire
Straying from the hotheaded “Taxi Driver” style that has dominated much of his career, Paul Schrader pays ruminative and respectful tribute to his late friend, novelist Russell Banks, who gave the writer-director the raw material for one of his best films, “Affliction” — and now, for one of his best films in years. Adapted from Banks’ “Foregone” (and given the title the author told Schrader he wanted for the book), “Oh, Canada” presents a dying artist’s final testimony as a multifaceted film-within-a-film, honoring Banks while also revealing so many of Schrader’s own thoughts on mortality.
Fighting a long, painful bout with cancer, documentary filmmaker Leonard Fife has scores of admirers and a shelf full of awards. As the movie opens, two former students, Malcolm (Michael Imperioli) and Diana (Victoria Hill), arrive at their mentor’s Montreal home and proceed to set up a unique camera rig. It’s a...
Fighting a long, painful bout with cancer, documentary filmmaker Leonard Fife has scores of admirers and a shelf full of awards. As the movie opens, two former students, Malcolm (Michael Imperioli) and Diana (Victoria Hill), arrive at their mentor’s Montreal home and proceed to set up a unique camera rig. It’s a...
- 5/17/2024
- by Peter Debruge
- Variety Film + TV
Hard to believe it has been 44 years since Paul Schrader and star Richard Gere last worked together on 1980’s seminal American Gigolo, a film that became not just a keystone in Gere’s celebrated career but also one for one Schrader’s as one of his earliest directorial credits. Of course he has written some of the great screenplays, particularly in his collaborations with Martin Scorsese on Raging Bull, The Last Temptation of Christ and Taxi Driver. But it is what interests him now a half century later as a writer-director that continues to fascinate.
In recent years that has included insular works like The Card Counter, Master Gardener and the critically acclaimed First Reformed. Now he has returned to more of what he labels a “mosaic,” in this case a movie made up of pieces of a life put under a cinematic microscope at different periods, all moving in...
In recent years that has included insular works like The Card Counter, Master Gardener and the critically acclaimed First Reformed. Now he has returned to more of what he labels a “mosaic,” in this case a movie made up of pieces of a life put under a cinematic microscope at different periods, all moving in...
- 5/17/2024
- by Pete Hammond
- Deadline Film + TV
Update: In his first mainstream television interview in years (excerpted by THR), Kevin Spacey sat down with Chris Cuomo on NewsNation to address what’s being seen as resistance (by some) to his return to acting. While he acknowledges those who have supported him, such as Neeson and Stone, he blames fear for the fact that many have only reached out to him privately rather than publically. “But there are also people that I’ve spoken to who, they love me, they believe in me. They’ve stood with me in private… but they’re afraid to stand up. And I’ve been very fortunate that people have been honest with me about that. And I think that’s a shame, that we’ve come to a place as a society where people are afraid to say what they believe and what they feel because they’re afraid they’re going to get canceled too.
- 5/17/2024
- by Kevin Fraser
- JoBlo.com
Francis Ford Coppola’s long-gestating and much-discussed sci-fi epic Megalopolis had its world premiere on Thursday night at the Cannes Film Festival, and was greeted with a 10-minute standing ovation inside the Grand Lumiere Theatre, as he gave a hug to each of his his principal stars — among them Nathalie Emmanuel, Adam Driver, Aubrey Plaza and Giancarlo Esposito — and threw his hat into the cheering crowd.
Coppola, who lost his wife Eleanor last month, eventually interrupted the applause to take a microphone and introduce the members of his family who were with him, including his son, Roman Coppola, and sister, Talia Shire, both of whom worked on the film. He then said of his other collaborators on the film: “They were all my family. And in fact, as [Driver’s character] Cesar says [in the film], ‘We are all one family.'”
Added the filmmaker: “The most important thing we have, the most...
Coppola, who lost his wife Eleanor last month, eventually interrupted the applause to take a microphone and introduce the members of his family who were with him, including his son, Roman Coppola, and sister, Talia Shire, both of whom worked on the film. He then said of his other collaborators on the film: “They were all my family. And in fact, as [Driver’s character] Cesar says [in the film], ‘We are all one family.'”
Added the filmmaker: “The most important thing we have, the most...
- 5/16/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Richard Gere and Jacob Elordi star in Paul Schrader’s latest, highly anticipated film ‘Oh, Canada,’ which premieres at the Cannes Film Festival on Friday.
Based on the late Russell Banks’ 2021 novel “Foregone,” the film centers on Gere’s Leonard Fife, an acclaimed filmmaker and “one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam” who “shares all his secrets to de-mythologize his mythologized life.” Elordi plays the younger version of Leonard.
In this first-look clip, Gere’s Leonard speeds up to someone’s home, gets out of a car and walks toward the gate. “Amanda was a jazz pianist,” his voiceover begins. “She said she was the mistress of Gerry Mulligan, but he was always on the road.” Then, the footage displays the film’s magic trick, as Elordi’s younger Leonard appears, pushing open the home’s gate and peering in the window,...
Based on the late Russell Banks’ 2021 novel “Foregone,” the film centers on Gere’s Leonard Fife, an acclaimed filmmaker and “one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam” who “shares all his secrets to de-mythologize his mythologized life.” Elordi plays the younger version of Leonard.
In this first-look clip, Gere’s Leonard speeds up to someone’s home, gets out of a car and walks toward the gate. “Amanda was a jazz pianist,” his voiceover begins. “She said she was the mistress of Gerry Mulligan, but he was always on the road.” Then, the footage displays the film’s magic trick, as Elordi’s younger Leonard appears, pushing open the home’s gate and peering in the window,...
- 5/16/2024
- by Angelique Jackson
- Variety Film + TV
Uma Thurman has been to Cannes more times than she can remember, either to pledge support for the glamorous annual charity event amfAR or with films as diverse as the genteel Merchant-Ivory period film The Golden Bowl (2000) and Quentin Tarantino’s ultraviolent Kill Bill: Volume 2 (2004), in which she reprised her badass role as The Bride. The film that propelled her to stardom, Pulp Fiction, won the Palme d’Or there, and Thurman hasn’t forgotten what it did for her. This year, she’s back with Paul Schrader’s Oh, Canada, the kind of smart, character-based indie on which she earned her spurs.
Deadline: How did you get involved with Oh, Canada?
Uma Thurman: Really, I just got the call through my agents to read a Paul Schrader script and meet with him. I’m so glad I did. I love Paul Schrader.
Deadline: Did you know him already?...
Deadline: How did you get involved with Oh, Canada?
Uma Thurman: Really, I just got the call through my agents to read a Paul Schrader script and meet with him. I’m so glad I did. I love Paul Schrader.
Deadline: Did you know him already?...
- 5/16/2024
- by Damon Wise
- Deadline Film + TV
The tagline for the 2024 Cannes Film Festival should probably be “Back to the Future.” Indeed, four Hollywood legends who first established themselves in the 1970s as part of the “New Hollywood,” and haven’t been back to festival in decades, are front and center on the Croisette this year.
At the fest’s opening ceremony on Tuesday night, three-time Oscar winner Meryl Streep was presented with an honorary Palme d’Or, 35 years after her only prior visit to the fest. In 1989, she came with Fred Schepisi’s A Cry in the Dark, which had opened in the U.S. in late 1988, landing her a best actress Oscar nom, but bombing at the box office. Streep’s presence at the fest was strategic: She reportedly only came because she wanted to try to boost the film’s profile ahead of its European release, and the fest reportedly only accepted the film...
At the fest’s opening ceremony on Tuesday night, three-time Oscar winner Meryl Streep was presented with an honorary Palme d’Or, 35 years after her only prior visit to the fest. In 1989, she came with Fred Schepisi’s A Cry in the Dark, which had opened in the U.S. in late 1988, landing her a best actress Oscar nom, but bombing at the box office. Streep’s presence at the fest was strategic: She reportedly only came because she wanted to try to boost the film’s profile ahead of its European release, and the fest reportedly only accepted the film...
- 5/15/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Reflecting on her illustrious career at Cannes Film Festival, Oscar winner Meryl Streep opened up about one of her most iconic on-screen moments — the shampoo scene from “Out of Africa.”
The 1986 Sydney Pollack film starred Streep and Robert Redford as a baroness and a big game hunter who fall in love in a lush desert romance. In what is considered one of the most intimate moments in movie history, Redford gives Streep a steamy salon scrub in a South African river. The actress went so far as to call the moment a sex scene.
“It’s a sex scene in a way, because it’s so intimate. We’ve seen so many scenes of people fucking, but we don’t see that loving touch, that care,” Streep said to big applause during a conversation at Cannes’ Théâtre Debussy.
In an interesting wrinkle, Redford needed some coaching on precisely how to...
The 1986 Sydney Pollack film starred Streep and Robert Redford as a baroness and a big game hunter who fall in love in a lush desert romance. In what is considered one of the most intimate moments in movie history, Redford gives Streep a steamy salon scrub in a South African river. The actress went so far as to call the moment a sex scene.
“It’s a sex scene in a way, because it’s so intimate. We’ve seen so many scenes of people fucking, but we don’t see that loving touch, that care,” Streep said to big applause during a conversation at Cannes’ Théâtre Debussy.
In an interesting wrinkle, Redford needed some coaching on precisely how to...
- 5/15/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
Heidi Klum graced the 2024 Cannes Film Festival on Tuesday, May 14, adding her signature glamour to the annual prestigious event at the Palais des Festivals in Cannes, France.
The 77th Annual Cannes Film Festival
The renowned Annual Cannes Film Festival is a global platform for premiering new films, drawing worldwide attention. Commencing May 14 and extending through May 25, the event attracts various stars to the stunning French Riviera for a series of highly anticipated premieres.
Among the notable films featured this year are Kinds of Kindness, Oh, Canada, The Apprentice, Megalopolis, and Furiosa. Anticipated appearances include A-listers such as Emma Stone, Selena Gomez, Cate Blanchett, and Uma Thurman, who are expected to grace the event to promote their upcoming projects.
Heidi Klum graces the red carpet at the 77th Annual Cannes Film Festival in a stunning red Saiid Kobeisy gown, exuding confidence and elegance (Credit: Pa Images / INSTARimages)
The festival’s opening...
The 77th Annual Cannes Film Festival
The renowned Annual Cannes Film Festival is a global platform for premiering new films, drawing worldwide attention. Commencing May 14 and extending through May 25, the event attracts various stars to the stunning French Riviera for a series of highly anticipated premieres.
Among the notable films featured this year are Kinds of Kindness, Oh, Canada, The Apprentice, Megalopolis, and Furiosa. Anticipated appearances include A-listers such as Emma Stone, Selena Gomez, Cate Blanchett, and Uma Thurman, who are expected to grace the event to promote their upcoming projects.
Heidi Klum graces the red carpet at the 77th Annual Cannes Film Festival in a stunning red Saiid Kobeisy gown, exuding confidence and elegance (Credit: Pa Images / INSTARimages)
The festival’s opening...
- 5/15/2024
- by Florie Mae Malapit
- Your Next Shoes
Who let the dog out?
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
The Cannes Film Festival red carpet is notoriously strict about its black-tie dress code (one man in a blue tuxedo who committed the fashion travesty of wearing white socks was almost turned away). But on Tuesday night, France welcomed a national hero to the opening night of the 77th edition — Messi, the four-legged scene-stealer from last year’s Palme d’Or winner “Anatomy of a Fall.”
The canine phenom helped brighten things up even as dark clouds gathered over the Palais des Festivals, site of Cannes’ biggest premieres. Despite the foreboding weather and light drizzle, Lily Gladstone, Greta Gerwig, Omar Sy, Jane Fonda, Juliette Binoche and other stars added some glamour and sparkle to the evening.
Photos: See the best red carpet looks.
But the gloomy skies mirrored the film business’s state of mind as the most famous celebration of cinema begins its 11-day marathon of premieres,...
- 5/14/2024
- by Brent Lang and Ramin Setoodeh
- Variety Film + TV
Before Meryl Streep could accept her honorary Palme d’Or at the Cannes Film Festival on Tuesday night, she was greeted by a thunderous two-minute standing ovation. The 74-year-old Oscar winner was so overcome with emotion that she first pretended to walk off the stage, but eventually began to dance to the applause.
French star Juliette Binoche, herself emotional, presented the award to Streep, saying: “When I see you on the screen, I don’t see you … Where does it come from? Were you born like this? I don’t know, but there’s a believer in you; a believer that allows me to believe.”
Binoche called Streep “an international treasure” as she listed off many of Streep’s most beloved roles, from “Sophie’s Choice” to “Julie and Julia.” Binoche later added, “You changed the way we look at cinema.”
In her speech, Streep thanked Cannes for welcoming her back after 35 years,...
French star Juliette Binoche, herself emotional, presented the award to Streep, saying: “When I see you on the screen, I don’t see you … Where does it come from? Were you born like this? I don’t know, but there’s a believer in you; a believer that allows me to believe.”
Binoche called Streep “an international treasure” as she listed off many of Streep’s most beloved roles, from “Sophie’s Choice” to “Julie and Julia.” Binoche later added, “You changed the way we look at cinema.”
In her speech, Streep thanked Cannes for welcoming her back after 35 years,...
- 5/14/2024
- by Ellise Shafer
- Variety Film + TV
Richard Gere is back onscreen with his own mini renaissance.
The legendary actor leads the English language remake of Savi Gabizon’s 2017 Israeli drama “Longing” alongside Diane Kruger. The Lionsgate/Grindstone film “follows Daniel Bloch (Gere) who is shocked to discover a secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. Daniel continues to dive into the mystery of his own identity until he arrives at a crossroad in his own life,” per the official synopsis.
Writer/director Gabizon returns to helm the remake, which co-stars Suzanne Clément. The original “Longing” premiered at the Venice Film Festival, where writer/director Gabizon won the Bnl People’s Choice Award. The film went on to screen at TIFF.
Gabizon made his feature debut “Shuroo” in 1991, followed by “Lovesick on Nana Street” in 1995. Both features won Israeli Academy Ophir Awards. Gabizon...
The legendary actor leads the English language remake of Savi Gabizon’s 2017 Israeli drama “Longing” alongside Diane Kruger. The Lionsgate/Grindstone film “follows Daniel Bloch (Gere) who is shocked to discover a secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. Daniel continues to dive into the mystery of his own identity until he arrives at a crossroad in his own life,” per the official synopsis.
Writer/director Gabizon returns to helm the remake, which co-stars Suzanne Clément. The original “Longing” premiered at the Venice Film Festival, where writer/director Gabizon won the Bnl People’s Choice Award. The film went on to screen at TIFF.
Gabizon made his feature debut “Shuroo” in 1991, followed by “Lovesick on Nana Street” in 1995. Both features won Israeli Academy Ophir Awards. Gabizon...
- 5/14/2024
- by Samantha Bergeson
- Indiewire
These auteurs are ready for their close-up.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
- 5/14/2024
- by Gregg Goldstein
- Variety Film + TV
The 2024 Cannes Film Festival may be lighter on glitz and glamour than in years past, but that means arthouse and international fare from emerging and established filmmakers will get a chance to shine. Still, at least two American auteurs, Francis Ford Coppola (“Megalopolis”) and Paul Schrader, have films in the main competition for the first time in decades. David Cronenberg (“The Shrouds”) and Yorgos Lanthimos (“Kinds of Kindness”) are also back at the festival, with both making personal stories in their own way: Cronenberg, here, reckons with grief over the death of his wife seven years ago, while Lanthimos appears to retreat back into “Dogtooth” territory in a film that’s almost a rebuke of the global success he’s acquired with “Poor Things” and “The Favourite.”
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
Sean Baker, Andrea Arnold, Ali Abbasi, Jia Zhangke, Karim Aïnouz, and Paolo Sorrentino are also back at Cannes this year with new films in the competition.
- 5/14/2024
- by Ryan Lattanzio, David Ehrlich and Kate Erbland
- Indiewire
Jury duty began Tuesday, May 14 for this year’s Cannes Film Festival competition panelists, led by president Greta Gerwig, the billion-dollar filmmaker behind “Barbie.”
Omar Sy, Eva Green, Lily Gladstone, Pierfrancesco Favino, Hirokazu Kore-eda, J.A. Bayona, Nadine Labaki, and Ebru Ceylan, along with Gerwig, convened at the Palais des Festivals for the annual opening day press conference. Tonight’s festival launches with the world premiere of Quentin Dupieux’s “The Second Act.” The jury will discuss, debate, and deliberate on films including Paul Schrader’s “Oh, Canada,” Francis Ford Coppola’s “Megalopolis,” Andrea Arnold’s “Bird,” Yorgos Lanthimos’ “Kinds of Kindness,” and more.
But the 77th edition of the global leading film festival is on edge right now as Cannes stares down two major scandals plaguing the Croisette and the French film industry at large. There’s a looming potential strike from a labor collective calling itself Sous les écrans la dèch,...
Omar Sy, Eva Green, Lily Gladstone, Pierfrancesco Favino, Hirokazu Kore-eda, J.A. Bayona, Nadine Labaki, and Ebru Ceylan, along with Gerwig, convened at the Palais des Festivals for the annual opening day press conference. Tonight’s festival launches with the world premiere of Quentin Dupieux’s “The Second Act.” The jury will discuss, debate, and deliberate on films including Paul Schrader’s “Oh, Canada,” Francis Ford Coppola’s “Megalopolis,” Andrea Arnold’s “Bird,” Yorgos Lanthimos’ “Kinds of Kindness,” and more.
But the 77th edition of the global leading film festival is on edge right now as Cannes stares down two major scandals plaguing the Croisette and the French film industry at large. There’s a looming potential strike from a labor collective calling itself Sous les écrans la dèch,...
- 5/14/2024
- by Ryan Lattanzio
- Indiewire
Are we headed for a bon marché?
A new class of finished films and packages (unmade movies with big stars and a director attached) will travel to Cannes this week in search of cash and homes with the studios, streamers and global indie players.
The 2024 Cannes market comes equipped with some interesting contradictions. Stateside, the content buying machine is fraught. Major media stock prices are getting hammered day by day, and a new age of austerity has gripped the once free-spending tech giants. At the same time, distributors paralyzed by the 2023 Hollywood labor strikes need content to fill their slates for the end the year and the top of 2025.
“We’d agree that finished film volume isn’t as high due to the strikes, but Cannes is a much better setting for packages to begin with,” one top sales agent told Variety. “These movies can get financed out of the international marketplace,...
A new class of finished films and packages (unmade movies with big stars and a director attached) will travel to Cannes this week in search of cash and homes with the studios, streamers and global indie players.
The 2024 Cannes market comes equipped with some interesting contradictions. Stateside, the content buying machine is fraught. Major media stock prices are getting hammered day by day, and a new age of austerity has gripped the once free-spending tech giants. At the same time, distributors paralyzed by the 2023 Hollywood labor strikes need content to fill their slates for the end the year and the top of 2025.
“We’d agree that finished film volume isn’t as high due to the strikes, but Cannes is a much better setting for packages to begin with,” one top sales agent told Variety. “These movies can get financed out of the international marketplace,...
- 5/14/2024
- by Matt Donnelly
- Variety Film + TV
Last summer, Paul Schrader was about to start shooting “Oh, Canada,” his adaptation of Russell Banks’ novel about a troubled artist taking stock of his life, when the major actors union went on strike. For a second, it looked like all that hard work, passion and planning might be for nothing — with performers on the picket lines and major studios holding out on their contract demands, it was hard to see how cameras would ever roll on the low-budget indie.
“Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film. “We were in this position where we had spent all this money and secured all this talent and we weren’t sure we could move forward until the strikes were over.”
Because it was made outside the studio system, “Oh, Canada” was able to get a union waiver and...
“Everything shut down,” said Brian Beckmann, the CFO and COO of Arclight Films, which is selling international rights to the film. “We were in this position where we had spent all this money and secured all this talent and we weren’t sure we could move forward until the strikes were over.”
Because it was made outside the studio system, “Oh, Canada” was able to get a union waiver and...
- 5/14/2024
- by Brent Lang, John Hopewell and Elsa Keslassy
- Variety Film + TV
Cannes isn’t Sundance. The movies on offer aren’t generally genre horror box office surprises or heartwarming indie dramedies, and sometimes they’re not even sure-fire Oscar hopefuls.
But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.
The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...
But as several sales agents and distributors told us, Cannes is slowly shifting back to being a home for discovery. With the audience now unbothered by subtitles, distributors aren’t just looking for the next “May December” but the next “Anatomy of a Fall.” And when it comes to the package titles on the Marché du Film, buyers are demanding more than the latest Nicolas Cage shark movie.
The sources IndieWire spoke to believe there’s more quality than quantity among this year’s official competition sales titles and the packages being shopped to distributors. And that’s a good thing, even though there are still plenty of hot packages trickling in by the day and buyers already scooping up competition...
- 5/13/2024
- by Brian Welk
- Indiewire
Italian media company Be Water, which is in Cannes for the first time, has announced its full roster of partners and scope of business activities comprising film, documentary and scripted TV production as well as theatrical film distribution, podcasts and live events.
While details of the company’s scripted productions are being kept under wraps, Be Water has announced the lineup of films they are releasing locally theatrically in collaboration with Italy’s Medusa, which is handling booking and billing. Besides “Oh, Canada,” the Be Water lineup includes Nicolas Cage horror-thriller “Longlegs,” directed by Osgood Perkin; Russian-American director Michael Lockshin’s “The Master and Margarita” with Claes Bang and August Diehl; and action family adventure “Jim Button and the Wild 13.”
The Rome-based shingle is operating with what is being described as a holistic approach to content production that is congenial to the digital age, which is certainly a novelty for Italy.
While details of the company’s scripted productions are being kept under wraps, Be Water has announced the lineup of films they are releasing locally theatrically in collaboration with Italy’s Medusa, which is handling booking and billing. Besides “Oh, Canada,” the Be Water lineup includes Nicolas Cage horror-thriller “Longlegs,” directed by Osgood Perkin; Russian-American director Michael Lockshin’s “The Master and Margarita” with Claes Bang and August Diehl; and action family adventure “Jim Button and the Wild 13.”
The Rome-based shingle is operating with what is being described as a holistic approach to content production that is congenial to the digital age, which is certainly a novelty for Italy.
- 5/13/2024
- by Nick Vivarelli
- Variety Film + TV
Paul Schrader has often landed himself in controversies with his anti-political correctness takes. There have been instances when Schrader was asked to back down from social media during his film’s release. He continues his usual controversial takes by announcing a Frank Sinatra biopic starring Kevin Spacey. Schrader had defended the actor back in 2018 at the peak of the #MeToo movement. He wants to cast him now since Spacey was cleared of the charges against him.
The Card Counter director Paul Schrader wants to cast Kevin Spacey in his Frank Sinatra biopic
Schrader’s intention to fight against Cancel Culture could cost him his movie as no studio may be willing to work on a controversial project. Even if it gets taken up by a studio, Schrader’s film still has to compete with Martin Scorsese’s biopic of the late singer and actor.
Paul Schrader Wants To Bring Back...
The Card Counter director Paul Schrader wants to cast Kevin Spacey in his Frank Sinatra biopic
Schrader’s intention to fight against Cancel Culture could cost him his movie as no studio may be willing to work on a controversial project. Even if it gets taken up by a studio, Schrader’s film still has to compete with Martin Scorsese’s biopic of the late singer and actor.
Paul Schrader Wants To Bring Back...
- 5/10/2024
- by Hashim Asraff
- FandomWire
Paul Schrader has spoken with Kevin Spacey about the actor starring in a Frank Sinatra biopic, despite multiple allegations still flanking the actor. Spacey is facing a civil trial in the U.K. in 2025 over allegations for which he was acquitted there in a criminal court last year. A new U.K. docuseries airing on Channel 4 also features claims of sexual offenses by the actor from 10 men.
Writer/director Schrader told Variety that he has been in contact with Spacey about him portraying an elderly Sinatra for a film.
“Cancel culture won’t let him go,” Schrader said of Spacey, citing that the actor was acquitted of sexually assaulting four men in 2023. “He’s reading a book on how Charlie Chaplin was canceled.”
Schrader added of the potential biopic, “I would not use Kevin if he had been convicted. But he was not convicted.”
Schrader’s latest film “Oh, Canada...
Writer/director Schrader told Variety that he has been in contact with Spacey about him portraying an elderly Sinatra for a film.
“Cancel culture won’t let him go,” Schrader said of Spacey, citing that the actor was acquitted of sexually assaulting four men in 2023. “He’s reading a book on how Charlie Chaplin was canceled.”
Schrader added of the potential biopic, “I would not use Kevin if he had been convicted. But he was not convicted.”
Schrader’s latest film “Oh, Canada...
- 5/9/2024
- by Samantha Bergeson
- Indiewire
Like many film executives, Tamara Birkemoe spends much of the Cannes Film Festival sprinting from lunches to drinks to dinners, as she meets with potential distributors, financiers and filmmakers. Most nights, the Palisades Park CEO hosts a cocktail hour at the company’s temporary headquarters directly across from the Palais des Festivals, where Cannes’ biggest premieres are held.
“We are looking to dazzle people,” she says, noting that her office boasts a commanding view of the red carpet. “We want to entertain people in fancy places and impress them with our presentation. This is the entertainment business after all, so you might as well work hard, but have fun while you’re doing it.”
That glamour that Birkemoe and others seek in the south of France continues to be the defining feature of Cannes as it prepares to launch its 77th edition this month. But despite the parties on the sparkling Riviera,...
“We are looking to dazzle people,” she says, noting that her office boasts a commanding view of the red carpet. “We want to entertain people in fancy places and impress them with our presentation. This is the entertainment business after all, so you might as well work hard, but have fun while you’re doing it.”
That glamour that Birkemoe and others seek in the south of France continues to be the defining feature of Cannes as it prepares to launch its 77th edition this month. But despite the parties on the sparkling Riviera,...
- 5/9/2024
- by Brent Lang
- Variety Film + TV
Paul Schrader absentmindedly builds installation art out of seven prescription bottles, two inhalers and an empty martini glass, as we sit in a restaurant for seniors in a Manhattan high-rise. Outside, lights twinkle on the Hudson. In 1975, Schrader went to bed with a pistol under his pillow while writing “Taxi Driver.” “Having the option to end things is the only way I could sleep,” Schrader says.
The specter of death is less dramatic but still remains a central focus for the 77-year-old Schrader. Not coincidentally, it’s the subject of his new film, “Oh, Canada,” starring Richard Gere, Jacob Elordi and Uma Thurman. Schrader’s breathing is now shallow and raspy. The voice he once used to argue with Marty Scorsese, direct Willem Dafoe and seduce Nastassja Kinski is now a broken-glass growl. He raises it the best he can to get another drink.
“Can we get some service, please.
The specter of death is less dramatic but still remains a central focus for the 77-year-old Schrader. Not coincidentally, it’s the subject of his new film, “Oh, Canada,” starring Richard Gere, Jacob Elordi and Uma Thurman. Schrader’s breathing is now shallow and raspy. The voice he once used to argue with Marty Scorsese, direct Willem Dafoe and seduce Nastassja Kinski is now a broken-glass growl. He raises it the best he can to get another drink.
“Can we get some service, please.
- 5/9/2024
- by Stephen Rodrick
- Variety Film + TV
Meryl Streep is set to receive the highest honor at the Cannes 2024 ceremony.
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
The Oscar winner has been announced to be feted with the honorary Palme d’Or on the opening night of the 77th annual festival; Variety first reported the news. Streep has not been to Cannes in exactly 35 years, since winning best actress for 1989’s “Evil Angels a Cry in the Dark” directed by Fred Schepisi.
Michael Douglas received the opening ceremony honorary Palme d’Or award in 2023.
Streep’s career has ranged from Academy Award-nominated turns in dramas such as “Sophie’s Choice” to musicals like “Into the Woods.” Streep’s rom-com efforts have marked collaborations with Nancy Meyers and other iconic filmmakers. She most recently starred in Hulu series “Only Murders in the Building,” following her former “Big Little Lies” TV role. Streep was recently honored by the Academy Museum Gala in 2023 for her career achievements.
As previously announced,...
- 5/2/2024
- by Samantha Bergeson
- Indiewire
Meryl Streep will receive the honorary Palme d’Or on the opening night of the 77th edition of Cannes Film Festival, Variety has learned.
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
Luring the Oscar winner is yet another feat for this Cannes edition, which will bring together a flurry Hollywood legends. Notably, George Lucas will receive the honorary Palme d’Or during the closing ceremony; Francis Ford Coppola’s “Megalopolis” and Paul Schrader’s “Oh, Canada” are playing in competition; and George Miller‘s “Furiosa: A Mad Max Saga” and Kevin Costner’s Western epic “Horizon, an American Saga” are playing out of competition. Streep will be also in good company at the festival with “Barbie” director Greta Gerwig serving as jury president. The pair worked together on “Little Women.”
The honorary tribute will mark Streep’s long-awaited return to Cannes after decades. It appears that her last trip to the festival dates back to Fred Schepisi...
- 5/2/2024
- by Elsa Keslassy
- Variety Film + TV
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