2012
"Death" - The theme of this episode is death, and we meet majorities like Mexican director Alejandro González Iñárritu, Woody Allen, Gus van Sant and Agnieszka Holland. Series based on Ingmar Bergman's private VHS collection. In exclusive interviews we meet several of the world's premier filmmakers. In each section, a famous filmmaker Fårö visits a separate picture of Bergman's mythical TV room.
2012
"Adventure" - In this section, Swedish director Daniel Espinosa visits Ingmar Bergman's home at Fårö and talks about the adventure of making American bigfilm. In Beijing, director Zhang Yimou tells about the adventure of his life - to survive - and Francis Ford Coppola talks about the crazy adventure he started when he did "Apocalypse Now" (1979). Series based on Ingmar Bergman's private VHS collection. In exclusive interviews we meet several of the world's premier filmmakers.
2012
"Silence" - In this section, Ang Lee (Brokeback Mountain, The Ice Storm) explains how his Asian background influenced the soundtrack of his films and Lars von Trier tells of Bergman's silence-that he never responded to von Trier's many many admiration letters. The evening's guest at Fårö is the French director Claire Denis (White Material). Meet the world's most famous directors and actors in exclusive interviews about the thrill, joy, mistakes, and the success of making movies - and their surprise to be in old master Ingmar Bergman's own film market.
2012
"Fear" - In Bergman's video shelf, the horror film is well-represented. And in this section, the Austrian director Michael Haneke Bergman visits Fårö and tells him how he did not try to commercialize the horror in his films. Wes Craven, the director behind the Scream films explains that fear and terror have a therapeutic function for the audience. Ridley Scott explains why the monster in Alien is so effective and Japanese Mieko Harada tells how she could make herself so terrifying in Kurosawas Ran from 1985.
2012
"Exclusion" - The American director John Landis visits Bergman's home at Fårö and tells about how exclusion becomes a source of humor in his films Blues Brothers (1980), Switching Role (1983) and Participation (1978). Master director Martin Scorsese explains how he often felt excluded from Bergman's films. Isabella Rossellini describes her work with the film Blue Velvet (1986) and the film brothers Dardennes tells about the exclusion and the characteristics of their films: the unemployed, the illegal immigrants, the orphans and the alcoholics.