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Reviews
Elsbeth (2024)
love it
Carrie Preston's portrayal of Elsbeth Tascioni in "The Good Wife" and "The Good Fight" left a lasting impression on audiences, and now, in her own spin-off series, "Elsbeth," she shines even brighter. As a fan of the original shows, I was thrilled to dive into this new chapter of Elsbeth's story.
Elsbeth is a character unlike any other. Quirky, intelligent, scattered, and incredibly observant, she approaches her cases with a unique blend of eccentricity and brilliance. In her spin-off series, we see her using these skills not just as a lawyer, but also as an investigator, aiding the police in solving complex cases.
One of the standout features of "Elsbeth" is its writing. The dialogue is sharp and witty, perfectly capturing Elsbeth's eccentric personality. The series manages to strike a balance between legal drama and character-driven storytelling, giving us a deeper insight into Elsbeth's world and motivations.
Carrie Preston's performance is, as expected, phenomenal. She effortlessly embodies Elsbeth's quirks and nuances, making her a captivating and relatable protagonist. The supporting cast also shines, adding depth and complexity to the narrative.
Visually, "Elsbeth" is a treat. The cinematography is stylish and polished, with each frame beautifully composed. The use of color and lighting enhances the mood of the series, creating a visually stunning experience.
One of the aspects I appreciate most about "Elsbeth" is its exploration of Elsbeth's character. While she is undeniably brilliant, the series also delves into her vulnerabilities and insecurities, making her a more well-rounded and relatable character.
Overall, "Elsbeth" is a must-watch for fans of "The Good Wife" and "The Good Fight," as well as anyone looking for a smart, engaging legal drama. With its stellar performances, sharp writing, and stylish visuals, "Elsbeth" is a worthy addition to the Elsbeth Tascioni legacy.
Kalel, 15 (2019)
there is anger in this film
"Kalel, 15" offers a raw and unflinching portrayal of the challenges faced by a teenage boy grappling with an HIV diagnosis amidst a backdrop of family dysfunction and societal stigma. The film deftly explores a myriad of issues, from the stigma surrounding HIV to the complexities of Filipino youth culture and the consequences of growing up with a troubled parent.
From the opening scenes, the film captivates with its brilliant storytelling, exceptional acting, and striking cinematography. The use of black and white imagery perfectly captures the grittiness and darkness of the narrative, setting it apart from conventional cinema. It's a truly unique and captivating film that draws viewers in and keeps them engaged throughout.
At its core, "Kalel, 15" confronts the uncomfortable truths about HIV and its impact on individuals and communities. It shines a light on the carelessness of Filipino youth when it comes to sex and the urgent need for greater awareness and education. The film doesn't shy away from the harsh realities of living with HIV or the societal stigma that surrounds it, challenging viewers to confront their own preconceptions and biases.
The stark black and white imagery serves as a powerful metaphor for the suffocating environment in which Kalel finds himself. As the frame gradually shrinks, it symbolizes the world closing in around him, highlighting his sense of isolation and despair. Yet, amidst the darkness, Kalel continues to search for hope, even as those around him continue to let him down.
"Kalel, 15" is a film fueled by anger, but it's a productive anger that leads to insight and clarity. Through Kalel's story, the film exposes the hypocrisy and deficiencies of a society that refuses to acknowledge the reality of sex and its consequences. It's a poignant and thought-provoking exploration of a societal issue that demands attention and action.
In conclusion, "Kalel, 15" is a mind-blowing and thought-provoking film that tackles important and relevant themes with sensitivity and depth. It's a film that demands to be seen and discussed, offering a powerful commentary on the complexities of HIV, youth culture, and family dynamics in contemporary Filipino society.
Last Twilight (2023)
MASTERPIECE
"Last Twilight" is a masterpiece that transcends expectations, delivering a poignant and heartfelt story that resonates deeply with its audience. The series follows the journey of Mhok, a technical college student burdened with heavy debt, who takes on a high-paying job as a caregiver to Day, a badminton player with partial blindness. What unfolds is a beautiful and profound tale of acceptance, love, and the resilience of the human spirit.
From the outset, I had high expectations for "Last Twilight," knowing the talent of Jimmy and Sea, and the legendary director P'Aof. I anticipated that this series would evoke strong emotions and leave me emotionally drained, and it did not disappoint. I braced myself for a sad ending, but what I found was a story that was not only moving but also uplifting and inspiring.
One of the most compelling aspects of "Last Twilight" is its portrayal of disability. The series challenges stereotypes and shows that people with disabilities are just like anyone else, deserving of love, respect, and understanding. Through the relationship between Mhok and Day, the series demonstrates the importance of treating everyone with kindness and compassion, regardless of their circumstances.
At its core, "Last Twilight" is a story about the power of love and acceptance. It teaches us that true beauty lies in the way we live our lives, and that as long as we have someone to love and live for, we can overcome any obstacle. Day's journey of acceptance and self-discovery is both heart-wrenching and heartwarming, showing us that even in the face of adversity, there is always hope.
The series also explores the idea that love knows no bounds, transcending physical limitations and societal expectations. The relationship between Mhok and Day is portrayed with such sincerity and depth that it feels incredibly real and relatable. Their love story is a testament to the transformative power of love, showing us that it can heal wounds, mend hearts, and change lives.
In conclusion, "Last Twilight" is a beautiful and touching series that leaves a lasting impression. It is a story that reminds us of the beauty of love, the importance of acceptance, and the resilience of the human spirit. It is a masterpiece in every sense of the word, and one that will stay with me long after the final credits roll.
Not Okay (2022)
Not everyone deserves a redemption arc
"NOT OKAY" delves into the dark side of social media, portraying an ambitious young woman who fabricates a trip to Paris to boost her online following. When a real-life tragedy intersects with her fabricated story, she is thrust into a moral dilemma that offers her the attention she craves. The film cynically explores the lengths people will go to for fame and validation in the digital age.
The protagonist's quest for followers and fame paints a bleak picture of modern society, highlighting the superficiality and narcissism prevalent in influencer culture. The movie's message is clear: not everyone deserves a redemption arc, especially those who manipulate and deceive for personal gain.
While the film effectively critiques the pitfalls of social media, it fails to offer any meaningful solutions or insights. Instead, it serves as a cautionary tale about the dangers of living a life driven by the pursuit of online validation.
Overall, "NOT OKAY" is a cynical take on social media culture, offering a bleak portrayal of a society obsessed with likes, follows, and virtual fame. It serves as a stark reminder of the consequences of prioritizing online personas over real-life integrity.
Blue Room (2022)
Compelling. Disturbing. Cringey. Eye-opening
"Blue Room" follows the journey of Rebel Rebel, an indie rock band of socially conscious yet sheltered teenagers, who find themselves at a crossroads after being arrested for drug possession. The band, on the cusp of success after a breakthrough at a local music festival, must now choose between using their privilege to secure their freedom or standing up for their beliefs.
The film offers a compelling and sometimes disturbing look at privilege, accountability, and the consequences of one's actions. It challenges the audience to confront their own preconceptions and biases, making it a thought-provoking and eye-opening viewing experience.
Despite not meeting my initial expectations, "Blue Room" exceeded them in many ways. The screenplay is strong and tight, keeping the audience engaged from start to finish. The direction and storytelling are also top-notch, creating a narrative that is both gripping and emotionally resonant.
Overall, "Blue Room" is a film that leaves a lasting impression. It's a powerful exploration of privilege and morality, told through the lens of a group of teenagers grappling with difficult decisions.
Elehiya (2022)
Goodbye Cherie Gil
During the 2022 QCinema International Film Festival, I had the opportunity to watch a film that delves into themes of loss, family secrets, and coping mechanisms. The story revolves around a widower who returns to her family's famous rest house in the Philippines to settle unfinished business, only to discover hidden truths that challenge her plans.
While the film's premise is intriguing, I found myself somewhat confused by the narrative. The exploration of how individuals cope with loss and the complexities of grief is a theme that resonates with many, but the execution left me wanting more clarity. Doc Celine's character, in particular, seemed to grapple with a range of emotions regarding her husband and her past, but the depth of these emotions was not always fully realized on screen.
Despite these narrative challenges, the film's cinematography was a standout feature. The shots were beautifully crafted, capturing the essence of the rest house and its surroundings with a certain elegance. Additionally, Miss Cherie's performance was commendable, adding depth to her character and anchoring the film with a sense of authenticity.
Overall, while I found the story to be somewhat confusing and the narrative direction to be unconventional, I appreciated the film's artistic merits. It offered a unique perspective on themes of loss and family dynamics, even if the execution did not always hit the mark. With a more focused narrative approach, this film had the potential to be a more impactful exploration of grief and healing.
May-December-January (2022)
It got me thinking
"May-December-January" is a refreshing and original film directed by McArthur C. Alejandre and written by Ricky Lee, featuring a stellar cast including Andrea Del Rosario, Kych Minemoto, and Gold Aceron. The film explores themes of love and sacrifice, weaving a narrative that is both engaging and thought-provoking.
The premise of the film, centered around a queer boy coming to terms with his identity and falling in love with his best friend, who in turn starts a relationship with his friend's mother, is certainly unique. While the storyline may seem absurd on the surface, the film manages to take this unconventional setup and ground it in a relatively realistic portrayal, thanks to the strong performances of its central trio.
Andrea Del Rosario, Kych Minemoto, and Gold Aceron deliver standout performances, bringing depth and nuance to their characters. Their portrayal of the complex dynamics of love, friendship, and sacrifice is both heartfelt and believable, drawing the audience into their world and making them emotionally invested in the outcome.
One of the film's strengths is its depiction of Baguio, which is captured in all its postcard-worthy beauty. The picturesque setting serves as the backdrop for the characters' journey, adding an extra layer of visual appeal to the film.
Despite its somewhat conventional approach to what could have been a more unconventional love story, "May-December-January" manages to keep the audience engaged from start to finish. The pacing is well-executed, ensuring that there are no dull moments and keeping viewers on the edge of their seats, even if it means occasionally leaving them scratching their heads.
Overall, "May-December-January" is a film that succeeds in telling a compelling and emotionally resonant story. Its strong performances, engaging narrative, and beautiful cinematography make it a worthwhile watch for anyone looking for a unique take on the complexities of love and relationships.
About Us But Not About Us (2022)
Acting Masterclass
The film is a riveting and mind-boggling experience, characterized by its exceptional writing and incredible acting. However, what truly sets it apart is its portrayal of gay characters as complex, problematic, and unapologetically villainous.
One of the most striking aspects of the film is its portrayal of gay characters. Unlike the stereotypical portrayals often seen in media, these characters are depicted as multifaceted individuals with their own flaws and motivations. They are not simply relegated to the role of the supportive friend or the comic relief; instead, they are allowed to be nasty, manipulative, and downright evil.
This portrayal of gay characters as villains is both refreshing and daring. It challenges the audience to confront their own biases and preconceptions about sexuality, forcing them to see these characters as fully realized human beings rather than one-dimensional stereotypes. It is a bold choice that pays off, adding depth and complexity to the film's narrative.
The acting in the film is also worth noting, particularly the performances of Romnick and Elijah. Their ability to seamlessly switch between themselves to portray the third character in the movie is nothing short of impressive. This technique not only helps the story unfold and unravel but also adds a layer of complexity to the characters and their relationships.
In conclusion, this film is a masterclass in storytelling and character development. Its portrayal of gay characters as complex and multi-dimensional is a welcome departure from the norm and adds a new layer of depth to the narrative. Combined with its exceptional writing and acting, this film is a must-see for anyone looking for a thought-provoking and engaging cinematic experience.
About Us But Not About Us (2022)
Acting Masterclass
The film is a riveting and mind-boggling experience, characterized by its exceptional writing and incredible acting. However, what truly sets it apart is its portrayal of gay characters as complex, problematic, and unapologetically villainous.
One of the most striking aspects of the film is its portrayal of gay characters. Unlike the stereotypical portrayals often seen in media, these characters are depicted as multifaceted individuals with their own flaws and motivations. They are not simply relegated to the role of the supportive friend or the comic relief; instead, they are allowed to be nasty, manipulative, and downright evil.
This portrayal of gay characters as villains is both refreshing and daring. It challenges the audience to confront their own biases and preconceptions about sexuality, forcing them to see these characters as fully realized human beings rather than one-dimensional stereotypes. It is a bold choice that pays off, adding depth and complexity to the film's narrative.
The acting in the film is also worth noting, particularly the performances of Romnick and Elijah. Their ability to seamlessly switch between themselves to portray the third character in the movie is nothing short of impressive. This technique not only helps the story unfold and unravel but also adds a layer of complexity to the characters and their relationships.
In conclusion, this film is a masterclass in storytelling and character development. Its portrayal of gay characters as complex and multi-dimensional is a welcome departure from the norm and adds a new layer of depth to the narrative. Combined with its exceptional writing and acting, this film is a must-see for anyone looking for a thought-provoking and engaging cinematic experience.
Anak ka ng ina mo (2023)
Repulsive. Unsettling. Brilliant
This film presents a profoundly disturbing psychosexual narrative of jealousy, characterized by predatory and toxic behavior, and at times, an excessive preoccupation with sexual themes. While the film attempts to serve as a political allegory, its execution may not be the most effective in depicting the struggles of the Filipino people. The storyline often veers into hilariously melodramatic territory, with moments that come off as unintentionally humorous, undermining the intended serious tone of the movie. The characters, without exception, are portrayed as morally reprehensible, making it challenging for viewers to empathize or connect with any of them, including those who are depicted as victims of abuse.
One particularly divisive element of the film is the character of Emman, portrayed as a vaping Filipino with a perm, a characterization that some viewers may find off-putting or caricatured. His frequent vaping is a notable, if not distracting, motif throughout the film. Despite these criticisms, the film does boast some redeeming qualities, such as its impressive compositions and cinematography, which add a layer of visual sophistication to the narrative.
In a post-screening discussion, the director shed light on his motivation for making films of this nature, citing a desire to tell stories about the Filipino people and their experiences. While this intent is commendable, it does not alleviate the shortcomings of this particular film. However, it does pique curiosity about the director's other works, which may offer a more nuanced exploration of Filipino identity and culture.
One of the film's highlights is the performance of Ms. Sue Prado, who portrays the main character. Despite playing a morally dubious individual, Prado's transformation for the role is notable, as she effectively embodies the character's complexities. Similarly, Kokoy De Santos delivers a compelling performance as Emman, a character who, despite his flaws, evokes a degree of sympathy from the audience. Supporting actors Miggy Jimenez and Elora Espano also deserve praise for their authentic portrayals, adding depth to the film's ensemble cast.
Overall, this film is not for the faint of heart, as it contains disturbing content that may be unsettling for some viewers. However, for those willing to engage with its challenging themes, the film offers a thought-provoking cinematic experience. Its visual artistry and compelling performances elevate it above its narrative shortcomings, making it a standout entry in the festival lineup.
Under Parallel Skies (2024)
Incredible Acting
In this captivating film, Win delivers a performance brimming with emotion and depth, showcasing a new facet of his acting prowess. His portrayal is a revelation, drawing viewers into the complexities of his character with a compelling authenticity that is truly remarkable.
One of the most striking aspects of the film is the seamless language switching between English, Thai, Filipino, and even some Cantonese by both Janella and Win. This linguistic dexterity adds layers to the characters and their interactions, making them feel all the more real and relatable. It's a testament to the actors' skill and dedication to their craft that they are able to navigate these linguistic nuances with such finesse.
Moreover, the film offers a fresh perspective on Hong Kong, showcasing the city in a different light. Through its lens, we discover new and unexpected spots that challenge the typical portrayal of Hong Kong in mainstream media. This refreshing take adds depth to the film's setting, making it feel like a character in its own right.
The dialogue in the film is another standout element, characterized by its well-crafted nature and metaphoric richness. The conversations are not just exchanges of words but deep reflections on life, love, and the human experience. There is an almost existential quality to the dialogues, inviting viewers to ponder their own existence and place in the world.
Overall, this film is a triumph on multiple fronts. From Win's captivating performance to the film's innovative use of language and its unique portrayal of Hong Kong, it is a cinematic experience that lingers long after the credits roll. The dialogues, in particular, stand out for their depth and philosophical nature, elevating the film beyond a mere entertainment piece to a thought-provoking work of art.